Thursday – Saturday at 8 PM and Sunday at 2 PM, Main Stage
Miss Molly
By Christine Carmela
Thursday – Saturday at 8 PM and Sunday at 2 PM, Main Stage
Miss Molly
By Christine Carmela
WORLD PREMIERE
It’s 1889 London, darling, where the only game in town is the pursuit of the perfect partner. Lifelong friends Matthias and Aloysius are convinced they’ve struck gold with the dazzling sisters, Molly and Genevieve. The stage is set for a perfect match…or is it? Enter the ever-discerning Viscountess Houseington, who detects a whiff of something fruity surrounding her daughter’s potential suitors…not to mention the boys’ formidable mothers are determined to put their future in-laws through the ultimate test. Get ready for a sidesplitting, love-struck escapade that’s enough to make Oscar Wilde clutch his pearls!
This new comedy and homage to The Importance of Being Earnest comes from Christine Carmela and will be directed by Evan Michael Woods. These TCU alums were roommates when Carmela first drafted Miss Molly.
Amphibian Stage was the first professional theatre to host a staged reading of one of Carmela’s early plays.
Since then, Carmela made her Off-broadway debut at SoHo Repertory Theatre and received a Masters in Screenwriting from the University of Southern California. While Woods is known as a multidisciplinary theatre artist in DFW, Miss Molly marks his directorial debut.
Amphibian Stage’s New Tiered Ticket Pricing Model
Tickets for this show range from $15-60, but YOU get to decide what you pay in an effort to make theatre more accessible for any budget. Read more about our tiered ticketing model here!
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Cast & Creatives
Emily Scott Banks
Director
Emily Scott Banks is a member of Actors Equity who has been in or led over 90 professional shows since returning to the Dallas/Fort Worth stages 20 years ago. Most recently she played Camille in Into the Breeches at Stage West and directed the first shows back at three different theaters when reopening’s first began in 2021. Pre-pandemic Emily reprised the one-actor Jacob Marley’s Christmas Carol at Stage West to a sold-out run; appeared as Agatha in The Moors at Theatre Three, Angel in Angels in America – Perestroika at Uptown Players, directed Sarah Ruhl’s Stage Kiss at Circle Theatre in Fort Worth, and played Madame Ranevsky in The Cherry Orchard for The Classics Theatre Project. Her many area directorial credits include the critically acclaimed The Big Meal; The Gospel According to Thomas Jefferson, Charles Dickens, and Count Leo Tolstoy: Discord and The Adventures of Tom Sawyer for WaterTower Theatre. For Stage West the award-winning Stupid F*cking Bird, Life Sucks., An Iliad and The (curious case of the) Watson Intelligence; and Egress for Amphibian Stage. Emily has won awards for her work in both disciplines, including multiple DFW Critics’ Forum Awards, and Best Actress of the Year nods from Dallas Observer, D Magazine, and TheaterJones.
Director
Emily Scott Banks
Emily Scott Banks is a member of Actors Equity who has been in or led over 90 professional shows since returning to the Dallas/Fort Worth stages 20 years ago. Most recently she played Camille in Into the Breeches at Stage West and directed the first shows back at three different theaters when reopening’s first began in 2021. Pre-pandemic Emily reprised the one-actor Jacob Marley’s Christmas Carol at Stage West to a sold-out run; appeared as Agatha in The Moors at Theatre Three, Angel in Angels in America – Perestroika at Uptown Players, directed Sarah Ruhl’s Stage Kiss at Circle Theatre in Fort Worth, and played Madame Ranevsky in The Cherry Orchard for The Classics Theatre Project. Her many area directorial credits include the critically acclaimed The Big Meal; The Gospel According to Thomas Jefferson, Charles Dickens, and Count Leo Tolstoy: Discord and The Adventures of Tom Sawyer for WaterTower Theatre. For Stage West the award-winning Stupid F*cking Bird, Life Sucks., An Iliad and The (curious case of the) Watson Intelligence; and Egress for Amphibian Stage. Emily has won awards for her work in both disciplines, including multiple DFW Critics’ Forum Awards, and Best Actress of the Year nods from Dallas Observer, D Magazine, and TheaterJones.
Christine Carmela
Playwright
Christine Carmela is thrilled to be making her return to the DFW theatre scene after far too long of a time apart. Though Christine is originally from Las Vegas, Nevada, she acquired a BFA in Acting from Fort Worth’s very own TCU. Her work as a stage actress has been seen at SoHo Rep, Uptown Players, Circle Theatre, and more. As a writer, she is thrilled to be making her regional theatre debut right on the heels of her graduating with an MFA in Writing for Screen and Television from USC in Los Angeles where she is now based.
Playwright
Christine Carmela
Christine Carmela is thrilled to be making her return to the DFW theatre scene after far too long of a time apart. Though Christine is originally from Las Vegas, Nevada, she acquired a BFA in Acting from Fort Worth’s very own TCU. Her work as a stage actress has been seen at SoHo Rep, Uptown Players, Circle Theatre, and more. As a writer, she is thrilled to be making her regional theatre debut right on the heels of her graduating with an MFA in Writing for Screen and Television from USC in Los Angeles where she is now based.
Laurel Collins
Actor
Laurel Collins is thrilled to be back at Amphibian, where she was last seen in Sparkfest and Miss Molly. Laurel loves performing in Fort Worth with Amphibian Stage, Stage West (POTUS, Poor Clare, and Into the Breeches), Casa Manana (Mary Poppins Jr., High School Musical, Charlotte’s Web), though she has also ventured as far as WaterTower Theater, Irving MainStage, and Onstage Bedford. She also does commercials, VO, and independent film whenever she can. She cohosts and produces a weekly podcast with her sister called Sumo Kaboom. In her twenties, Laurel was a Broadway dancer in The Will Roger Follies and The Best Little Whorehouse Goes Public. She also worked in many regional theatres across the US before attending graduate school in New Zealand. She holds a BFA in Musical Theatre and a MTA in Directing. When she’s not performing, you can find her writing, teaching, playing ukulele, or hiking with her blue heeler mix Tia.
Actor
Laurel Collins
Laurel Collins is thrilled to be back at Amphibian, where she was last seen in Sparkfest and Miss Molly. Laurel loves performing in Fort Worth with Amphibian Stage, Stage West (POTUS, Poor Clare, and Into the Breeches), Casa Manana (Mary Poppins Jr., High School Musical, Charlotte’s Web), though she has also ventured as far as WaterTower Theater, Irving MainStage, and Onstage Bedford. She also does commercials, VO, and independent film whenever she can. She cohosts and produces a weekly podcast with her sister called Sumo Kaboom. In her twenties, Laurel was a Broadway dancer in The Will Roger Follies and The Best Little Whorehouse Goes Public. She also worked in many regional theatres across the US before attending graduate school in New Zealand. She holds a BFA in Musical Theatre and a MTA in Directing. When she’s not performing, you can find her writing, teaching, playing ukulele, or hiking with her blue heeler mix Tia.
Parker Gray
Actor
Parker Gray is a Dallas based Actor, Producer, Teaching Artist, and Playwright, and is so excited to be returning to Amphibian where he was last seen as Matthias Manley in the world premiere of Miss Molly, as well as the original reading of The Handless King at SparkFest! Other stage acting credits include work across the metroplex at Dallas Theater Center, Casa Mañana, Theatre Three, Circle Theatre, Kitchen Dog Theater, Stage West, Undermain Theatre, Shakespeare Dallas, WaterTower Theatre, Fair Assembly, Lyric Stage, Shakespeare in the Bar, and Second Thought Theatre where he currently serves as the Executive Director. Parker’s voice can be heard in various shows with Crunchyroll, and can be seen in several films including the Dallas-made horror film The Finale. He has served as a teaching artist for Stage West, Shakespeare Dallas, Bishop Dunne, and Arts Mission Oak Cliff. Parker’s premiere play, Incarnate, received a reading at Undermain for their Whither Goest Thou America Festival in 2022, and his play How to Lose a Sleep Paralysis Demon in 10 Days was chosen for the inaugural year of the Digital Development Project in 2023. More of Parker’s plays can be found on New Play Exchange. He holds a BFA in Acting from SMU and is represented by the Kim Dawson Agency.
Actor
Parker Gray
Parker Gray is a Dallas based Actor, Producer, Teaching Artist, and Playwright, and is so excited to be returning to Amphibian where he was last seen as Matthias Manley in the world premiere of Miss Molly, as well as the original reading of The Handless King at SparkFest! Other stage acting credits include work across the metroplex at Dallas Theater Center, Casa Mañana, Theatre Three, Circle Theatre, Kitchen Dog Theater, Stage West, Undermain Theatre, Shakespeare Dallas, WaterTower Theatre, Fair Assembly, Lyric Stage, Shakespeare in the Bar, and Second Thought Theatre where he currently serves as the Executive Director. Parker’s voice can be heard in various shows with Crunchyroll, and can be seen in several films including the Dallas-made horror film The Finale. He has served as a teaching artist for Stage West, Shakespeare Dallas, Bishop Dunne, and Arts Mission Oak Cliff. Parker’s premiere play, Incarnate, received a reading at Undermain for their Whither Goest Thou America Festival in 2022, and his play How to Lose a Sleep Paralysis Demon in 10 Days was chosen for the inaugural year of the Digital Development Project in 2023. More of Parker’s plays can be found on New Play Exchange. He holds a BFA in Acting from SMU and is represented by the Kim Dawson Agency.
Logan Graye
Actor
Logan Graye is beyond thrilled to be part of the world premiere of Miss Molly! Previous credits include Cruel Intentions (Stage West/Uptown Players), The Office A Musical Parody (The Theater Center), Disenchanted! (Priscilla Beach Theatre), Side Show (White Plains Performing Arts Center), The Devil Tree Part Two (The Players Theatre), Titanic (Uptown Players). TCU B.F.A. Musical Theatre alum (go frogs!).
Actor
Logan Graye
Logan Graye is beyond thrilled to be part of the world premiere of Miss Molly! Previous credits include Cruel Intentions (Stage West/Uptown Players), The Office A Musical Parody (The Theater Center), Disenchanted! (Priscilla Beach Theatre), Side Show (White Plains Performing Arts Center), The Devil Tree Part Two (The Players Theatre), Titanic (Uptown Players). TCU B.F.A. Musical Theatre alum (go frogs!).
Shannon J. McGrann
Actor
Shannon J. McGrann is pleased to make her Amphibian debut in Miss Molly. Select regional theater credits include: The Cake (Uptown Players and Theater Arlington); It’s Only A Play (Uptown Players); Raptured! (Theatre Three); Incognito (Second Thought Theatre); Church & State, A Doll’s House, Part 2, A Funny Thing…. (Stage West); Hand to God, Silent Sky, (WaterTower Theatre); Gypsy, As Thousands Cheer (Lyric Stage); A Christmas Carol (The Dallas Theater Center); The Wizard of Oz (Lyric Theatre OKC & Casa Manana). TV/Film work includes Love and Death (HBO), Look Both Ways (Netflix), Rock Me, The Price of Fame: Carrie Fisher; The Good Guys; Lone Star; My Generation; The Marina Oswald Story; and regional and national commercial credits.
Actor
Shannon J. McGrann
Shannon J. McGrann is pleased to make her Amphibian debut in Miss Molly. Select regional theater credits include: The Cake (Uptown Players and Theater Arlington); It’s Only A Play (Uptown Players); Raptured! (Theatre Three); Incognito (Second Thought Theatre); Church & State, A Doll’s House, Part 2, A Funny Thing…. (Stage West); Hand to God, Silent Sky, (WaterTower Theatre); Gypsy, As Thousands Cheer (Lyric Stage); A Christmas Carol (The Dallas Theater Center); The Wizard of Oz (Lyric Theatre OKC & Casa Manana). TV/Film work includes Love and Death (HBO), Look Both Ways (Netflix), Rock Me, The Price of Fame: Carrie Fisher; The Good Guys; Lone Star; My Generation; The Marina Oswald Story; and regional and national commercial credits.
Brayden Raqueño
Actor
Brayden Raqueño is an LA-based actor, originally from McKinney, Texas. Most recently, Brayden was a performer for Norwegian Cruise Line in their productions of Footloose and Elements. Locally, he was last seen as Jay in Disney’s Descendants at Casa Mañana. Brayden holds a BFA in Acting from Texas Christian University and is represented by Avalon Artists Group.
Actor
Brayden Raqueño
Brayden Raqueño is an LA-based actor, originally from McKinney, Texas. Most recently, Brayden was a performer for Norwegian Cruise Line in their productions of Footloose and Elements. Locally, he was last seen as Jay in Disney’s Descendants at Casa Mañana. Brayden holds a BFA in Acting from Texas Christian University and is represented by Avalon Artists Group.
Evan Michael Woods
Marketing Director
Evan is a Fort Worth-based actor, photographer, and designer. His work has been seen at the Dallas Theater Center, Second Thought Theatre, Undermain Theatre, Stage West Theatre, Trinity Shakespeare Festival, Amphibian Stage, and more. Evan holds a BFA in Acting from Texas Christian University. Evan is represented by the Kim Dawson Agency.
Marketing Director
Evan Michael Woods
Evan is a Fort Worth-based actor, photographer, and designer. His work has been seen at the Dallas Theater Center, Second Thought Theatre, Undermain Theatre, Stage West Theatre, Trinity Shakespeare Festival, Amphibian Stage, and more. Evan holds a BFA in Acting from Texas Christian University. Evan is represented by the Kim Dawson Agency.
Christine Carmela
Playwright
Christine Carmela is thrilled to be making her return to the DFW theatre scene after far too long of a time apart. Though Christine is originally from Las Vegas, Nevada, she acquired a BFA in Acting from Fort Worth’s very own TCU. Her work as a stage actress has been seen at SoHo Rep, Uptown Players, Circle Theatre, and more. As a writer, she is thrilled to be making her regional theatre debut right on the heels of her graduating with an MFA in Writing for Screen and Television from USC in Los Angeles where she is now based.
Playwright
Christine Carmela
Christine Carmela is thrilled to be making her return to the DFW theatre scene after far too long of a time apart. Though Christine is originally from Las Vegas, Nevada, she acquired a BFA in Acting from Fort Worth’s very own TCU. Her work as a stage actress has been seen at SoHo Rep, Uptown Players, Circle Theatre, and more. As a writer, she is thrilled to be making her regional theatre debut right on the heels of her graduating with an MFA in Writing for Screen and Television from USC in Los Angeles where she is now based.
Seth Hunter Williams
Assistant Director
Seth Hunter Williams is overjoyed to be making theatre with his favorite DFW theatre company! He has taught theatre at the high school level for 9 years and has enjoyed many successes in Texas Thespians and U.I.L. One-Act Play contests. Seth holds a BFA in Theatre from Tarleton State University and is currently the Co-Vice President of the Theatre at Tarleton Alumni Association. He is currently an MFA in Directing candidate at The University of Idaho and has plans to graduate in December of 2024. Seth has a passion for reading plays, making his own clothes, and Patti LuPone. He would like to thank Evan, Alyssa, and the other artists at Amphibian who involved him in Miss Molly! Also, Seth would like to thank his husband, mother, sisters, and friends for helping him along the path of life and supporting his passions. He would like to dedicate this production to the loving memory of his Aunt, Linda Snelson Brown, who was one of his fiercest supporters and encouragers.
Assistant Director
Seth Hunter Williams
Seth Hunter Williams is overjoyed to be making theatre with his favorite DFW theatre company! He has taught theatre at the high school level for 9 years and has enjoyed many successes in Texas Thespians and U.I.L. One-Act Play contests. Seth holds a BFA in Theatre from Tarleton State University and is currently the Co-Vice President of the Theatre at Tarleton Alumni Association. He is currently an MFA in Directing candidate at The University of Idaho and has plans to graduate in December of 2024. Seth has a passion for reading plays, making his own clothes, and Patti LuPone. He would like to thank Evan, Alyssa, and the other artists at Amphibian who involved him in Miss Molly! Also, Seth would like to thank his husband, mother, sisters, and friends for helping him along the path of life and supporting his passions. He would like to dedicate this production to the loving memory of his Aunt, Linda Snelson Brown, who was one of his fiercest supporters and encouragers.
Josh Nguyen
Stage Manager
Josh Nguyen is ecstatic to debut at Amphibian Stage for Miss Molly. Previous Stage Management Credits: The Tender Land (Baylor Opera), Godspell, The Ballad of Little Jo (Assistant at WaterTower Theater). Josh is usually seen billed as a Sound Designer around the DFW metroplex. Selected works: Our Dear Dead Drug Lord (Second Thought Theatre), The Mountaintop (Circle Theatre), Clue (Associate Design at Dallas Theater Center), Side by Side by Sondheim (Associate Design at RepSTL). Josh holds a BFA in Theatre Design & Technology from Baylor University and is a member of the Theatrical Sound Designers and Composers Association. Josh hopes to be part of the next generation of theater educators, making the medium and field more accessible and equitable. joshuanguyen.net @jashngooyen
Stage Manager
Josh Nguyen
Josh Nguyen is ecstatic to debut at Amphibian Stage for Miss Molly. Previous Stage Management Credits: The Tender Land (Baylor Opera), Godspell, The Ballad of Little Jo (Assistant at WaterTower Theater). Josh is usually seen billed as a Sound Designer around the DFW metroplex. Selected works: Our Dear Dead Drug Lord (Second Thought Theatre), The Mountaintop (Circle Theatre), Clue (Associate Design at Dallas Theater Center), Side by Side by Sondheim (Associate Design at RepSTL). Josh holds a BFA in Theatre Design & Technology from Baylor University and is a member of the Theatrical Sound Designers and Composers Association. Josh hopes to be part of the next generation of theater educators, making the medium and field more accessible and equitable. joshuanguyen.net @jashngooyen
Levi Richey
Production Assistant
Levi Richey is a graduate of UT Arlington with a bachelors in musical theatre. He is proud to have been a part of many productions at Amphibian including IMSTRUCTIOMS FOR A SEANCE and MARIE AND ROSETTA. Levi is also a makeup artist and currently studying wig building. @goodmoringitslevi on all platforms.
Production Assistant
Levi Richey
Levi Richey is a graduate of UT Arlington with a bachelors in musical theatre. He is proud to have been a part of many productions at Amphibian including IMSTRUCTIOMS FOR A SEANCE and MARIE AND ROSETTA. Levi is also a makeup artist and currently studying wig building. @goodmoringitslevi on all platforms.
Paige Hathaway
Scenic Designer
Paige Hathaway is a DC-based scenic designer. Previously at Amphibian Stage, she designed Miss Molly. REGIONAL: Arden: Assassins; Barrington Stage: A New Brain; Writer’s Theatre: A Distinct Society; The Muny: Mary Poppins. DC AREA: Ford’s: Little Shop of Horrors; Signature: Hair, Penelope, Rent, The Upstairs Department; Round House: Sojourners, The Mountaintop; Woolly Mammoth: The Sensational Sea Mink-ettes; Arena: The High Ground. EDUCATION: University of Oklahoma, BFA in Scenic Design, University of Maryland, MFA in Scenic Design. Website: paigehathawaydesign.com Instagram: @paigehathawaydesign
Scenic Designer
Paige Hathaway
Paige Hathaway is a DC-based scenic designer. Previously at Amphibian Stage, she designed Miss Molly. REGIONAL: Arden: Assassins; Barrington Stage: A New Brain; Writer’s Theatre: A Distinct Society; The Muny: Mary Poppins. DC AREA: Ford’s: Little Shop of Horrors; Signature: Hair, Penelope, Rent, The Upstairs Department; Round House: Sojourners, The Mountaintop; Woolly Mammoth: The Sensational Sea Mink-ettes; Arena: The High Ground. EDUCATION: University of Oklahoma, BFA in Scenic Design, University of Maryland, MFA in Scenic Design. Website: paigehathawaydesign.com Instagram: @paigehathawaydesign
Aaron Patrick DeClerk
Costume Designer
Aaron Patrick DeClerk has an M.F.A. in Costume Design from The University of Oklahoma. He has designed over 180 productions and garnered critical praise and numerous awards for his work. He was named Best Costume Designer in the Dallas Observers’100 Most Influential People of Dallas, named an Artistic Associate for Trinity Shakespeare Festival, and works with students through Stage West’s Mentorship Program. Some of his work with Amphibian includes Below The Belt, Icarus, Miss Witherspoon, Every Child, The First Day of School, and King Liz.
Costume Designer
Aaron Patrick DeClerk
Aaron Patrick DeClerk has an M.F.A. in Costume Design from The University of Oklahoma. He has designed over 180 productions and garnered critical praise and numerous awards for his work. He was named Best Costume Designer in the Dallas Observers’100 Most Influential People of Dallas, named an Artistic Associate for Trinity Shakespeare Festival, and works with students through Stage West’s Mentorship Program. Some of his work with Amphibian includes Below The Belt, Icarus, Miss Witherspoon, Every Child, The First Day of School, and King Liz.
Haley Nelson
Dramaturg
Haley Nelson is originally from Northern California but has
called Dallas home for the past ten years. She has dramaturged new plays for Dallas
Theater Center, Cry Havoc, and Artstillery, among others. She was Manager of Literary
and Community Initiatives/2019-2021 National New Play Network Producer in Residence
at Kitchen Dog Theater, where she dramaturged the Rolling World Premiere production
of Audrey Cefaly’s Pulitzer-nominated play Alabaster and the world premiere of Jonathan
Norton’s a love offering. In addition to theatre, Haley’s work can be seen on the Lifetime
network’s #TextMeWhenYouGetHome (Season 2 to be released in August), and heard
on the Apple Original podcast Under Cover of Knight and Wondery’s Snatching Sinatra
hosted by John Stamos. She has received grants and awards from Actors Theatre of
Louisville, Literary Managers and Dramaturgs of the Americas, Dallas Office of Arts &
Culture, and 100W Corsicana. Next up: Anne-Tig-Uh-Knee at Second Thought Theatre.
www.haleynelson.me
Dramaturg
Haley Nelson
Haley Nelson is originally from Northern California but has
called Dallas home for the past ten years. She has dramaturged new plays for Dallas
Theater Center, Cry Havoc, and Artstillery, among others. She was Manager of Literary
and Community Initiatives/2019-2021 National New Play Network Producer in Residence
at Kitchen Dog Theater, where she dramaturged the Rolling World Premiere production
of Audrey Cefaly’s Pulitzer-nominated play Alabaster and the world premiere of Jonathan
Norton’s a love offering. In addition to theatre, Haley’s work can be seen on the Lifetime
network’s #TextMeWhenYouGetHome (Season 2 to be released in August), and heard
on the Apple Original podcast Under Cover of Knight and Wondery’s Snatching Sinatra
hosted by John Stamos. She has received grants and awards from Actors Theatre of
Louisville, Literary Managers and Dramaturgs of the Americas, Dallas Office of Arts &
Culture, and 100W Corsicana. Next up: Anne-Tig-Uh-Knee at Second Thought Theatre.
www.haleynelson.me
Luke Atkison
Lighting Designer
Luke Atkison is originally from Kansas City, Missouri, and a graduate of Texas Christian University here in Fort Worth. Atkison was previously the resident scenic, lighting, and projections designer for Titusville Playhouse in the Orlando, FL area, designing over 100 productions in his time there before moving back into freelance design across the country. Other companies on his resume include Stage West (Fort Worth, TX), Flat Rock Playhouse (Flat Rock, NC), Uptown Players (Dallas, TX), Watertower Theatre (Addison, TX), Theatre TCU (Fort Worth, TX), The Henegar Center (Melbourne, FL), and Tarrant County Colleges (Arlington, TX). Recent credits include Cruel Intentions: The 90s Musical (Stage West/Uptown Players), Blood Knot (Flat Rock Playhouse), Kinky Boots (Titusville Playhouse), and What To Send Up When It Goes Down (Stage West). You may visit his website for his full resume and a portfolio of his work at lukeatkisondesign.com.
Lighting Designer
Luke Atkison
Luke Atkison is originally from Kansas City, Missouri, and a graduate of Texas Christian University here in Fort Worth. Atkison was previously the resident scenic, lighting, and projections designer for Titusville Playhouse in the Orlando, FL area, designing over 100 productions in his time there before moving back into freelance design across the country. Other companies on his resume include Stage West (Fort Worth, TX), Flat Rock Playhouse (Flat Rock, NC), Uptown Players (Dallas, TX), Watertower Theatre (Addison, TX), Theatre TCU (Fort Worth, TX), The Henegar Center (Melbourne, FL), and Tarrant County Colleges (Arlington, TX). Recent credits include Cruel Intentions: The 90s Musical (Stage West/Uptown Players), Blood Knot (Flat Rock Playhouse), Kinky Boots (Titusville Playhouse), and What To Send Up When It Goes Down (Stage West). You may visit his website for his full resume and a portfolio of his work at lukeatkisondesign.com.
Patrick Emile
Sound Designer/Compoers
Patrick Emile Dallas-Fort Worth: Carter Stubbs Takes Flight; Hershel and the Hanukkah Goblins; Sandbox; BABA. New York: Happily Ever After; As We Lie Still; The Ballad Hunters. Audio: SPINES; The Griwwertones; The Canyon; The Disappearance Of Lottie Carmichael; Fairlandria. Awards and Associations: 2014 Frederick Loewe Award For Musical Theatre; 2023 Shorty Award; New Dramatists Composer-Librettist Studio; BMI Lehman Engel Musical Theatre Workshop.
Sound Designer/Compoers
Patrick Emile
Patrick Emile Dallas-Fort Worth: Carter Stubbs Takes Flight; Hershel and the Hanukkah Goblins; Sandbox; BABA. New York: Happily Ever After; As We Lie Still; The Ballad Hunters. Audio: SPINES; The Griwwertones; The Canyon; The Disappearance Of Lottie Carmichael; Fairlandria. Awards and Associations: 2014 Frederick Loewe Award For Musical Theatre; 2023 Shorty Award; New Dramatists Composer-Librettist Studio; BMI Lehman Engel Musical Theatre Workshop.
Bella Barnett
Resident Scenic Artist
Bella is a production designer, art director, prop builder, and scenic artist. She received her B.A. in technical theatre from West Texas A&M University. Bella now works as a freelancer in advertising, film, and theater. She worked recently as the production designer for 2022 Lone Star Film Festival official selection Pool Service and 2022 Micheaux Film Festival and 2022 National Black Film Festival official selection Blue Porcelain. Her work with Amphibian Stage includes the props design and scenic painting for The Hollow and Miss Molly along with scenic painting for Spaceman and Baba.
Resident Scenic Artist
Bella Barnett
Bella is a production designer, art director, prop builder, and scenic artist. She received her B.A. in technical theatre from West Texas A&M University. Bella now works as a freelancer in advertising, film, and theater. She worked recently as the production designer for 2022 Lone Star Film Festival official selection Pool Service and 2022 Micheaux Film Festival and 2022 National Black Film Festival official selection Blue Porcelain. Her work with Amphibian Stage includes the props design and scenic painting for The Hollow and Miss Molly along with scenic painting for Spaceman and Baba.
Nicole Alvarez
Wig Designer
Nicole Alvarez is a Dallas-based wig/hair/makeup & costume designer. Selected design credits include: Broadway: Fat Ham (Assistant Hair/Wig/Makeup Designer), Off-Broadway: Fat Ham (Assistant Hair/Wig/Makeup Designer, The Public), Regional: Who’s Afraid of Virginia Woolf? (Costume Designer, Theatre Three), Lucha Teotl (Costume Designer, Prism Movement Theater), Citrus (Associate Hair/Wig/Makeup Designer, Northern Stage), Real Women Have Curves (Hair/Wig/Makeup Designer, Dallas Theater Center), The Wolves (Hair/Wig/Makeup Designer, Dallas Theater Center), Electra (Associate Hair/Wig/Makeup Designer, Dallas Theater Center), Sherlock Holmes: The Final Adventure (Associate Hair/Wig/Makeup Designer, Dallas Theater Center) Lobster Alice (Costume Designer, Second Thought Theatre).
Wig Designer
Nicole Alvarez
Nicole Alvarez is a Dallas-based wig/hair/makeup & costume designer. Selected design credits include: Broadway: Fat Ham (Assistant Hair/Wig/Makeup Designer), Off-Broadway: Fat Ham (Assistant Hair/Wig/Makeup Designer, The Public), Regional: Who’s Afraid of Virginia Woolf? (Costume Designer, Theatre Three), Lucha Teotl (Costume Designer, Prism Movement Theater), Citrus (Associate Hair/Wig/Makeup Designer, Northern Stage), Real Women Have Curves (Hair/Wig/Makeup Designer, Dallas Theater Center), The Wolves (Hair/Wig/Makeup Designer, Dallas Theater Center), Electra (Associate Hair/Wig/Makeup Designer, Dallas Theater Center), Sherlock Holmes: The Final Adventure (Associate Hair/Wig/Makeup Designer, Dallas Theater Center) Lobster Alice (Costume Designer, Second Thought Theatre).
Kelsey Milbourn
Actor
Kelsey Milbourn (AEA) is a KS native and TCU graduate with a BFA in musical theatre and independent study in modern dance. Kelsey is adjunct faculty for the BFA theatre program at TCU and is an actor and dance/fight/intimacy choreographer in the DFW area as well as a stilts instructor for Amphibians Tadpoles for 4 years. Some of their recent acting and choreo work includes projects at Stage West, Circle Theatre, DTC, Undermain Theatre, Amphibian Stage Productions, WaterTower, Danspiek NYC, and Cape Fear Regional. They’ve been an artistic associate of the Trinity Shakespeare Festival for a decade and a proud recipient of the Tarrant County Theatre League award.
Actor
Kelsey Milbourn
Kelsey Milbourn (AEA) is a KS native and TCU graduate with a BFA in musical theatre and independent study in modern dance. Kelsey is adjunct faculty for the BFA theatre program at TCU and is an actor and dance/fight/intimacy choreographer in the DFW area as well as a stilts instructor for Amphibians Tadpoles for 4 years. Some of their recent acting and choreo work includes projects at Stage West, Circle Theatre, DTC, Undermain Theatre, Amphibian Stage Productions, WaterTower, Danspiek NYC, and Cape Fear Regional. They’ve been an artistic associate of the Trinity Shakespeare Festival for a decade and a proud recipient of the Tarrant County Theatre League award.
Jessica D. Turner
Dialect Coach
Jessica D. Turner is a professional actor and dialect/speech coach based out of Dallas. Jessica has coached a number of theater, TV, and film productions throughout DFW and has become one of the leading dialect coaches in the area for the “Western Dialect”. Throughout her coaching, she has helped a wide range of clients, including executives, scientists, motivational speakers, political candidates, ministers, actors, and opera singers strengthen their public speaking, performance skills and executive presence. Jessica is also a Dialect Reduction Coach as well as a Performance Coach for Jenni Steck Voice and Speech Services based in Dallas (www.jennisteck.com). In Dialect Reduction, she loves the work of helping people with English as a second language develop confidence through learning skills for clearer communication. Also, during the Covid-19 Pandemic, Jessica worked extensively as a video communications consultant helping organizations successfully pivot to an online presence. Jessica holds an MFA from American Conservatory Theater (ACT), a BFA from SMU and has been a member of Actor’s Equity Association for over 20 years. She is delighted to be working with Amphibian for the very first time!
Dialect Coach
Jessica D. Turner
Jessica D. Turner is a professional actor and dialect/speech coach based out of Dallas. Jessica has coached a number of theater, TV, and film productions throughout DFW and has become one of the leading dialect coaches in the area for the “Western Dialect”. Throughout her coaching, she has helped a wide range of clients, including executives, scientists, motivational speakers, political candidates, ministers, actors, and opera singers strengthen their public speaking, performance skills and executive presence. Jessica is also a Dialect Reduction Coach as well as a Performance Coach for Jenni Steck Voice and Speech Services based in Dallas (www.jennisteck.com). In Dialect Reduction, she loves the work of helping people with English as a second language develop confidence through learning skills for clearer communication. Also, during the Covid-19 Pandemic, Jessica worked extensively as a video communications consultant helping organizations successfully pivot to an online presence. Jessica holds an MFA from American Conservatory Theater (ACT), a BFA from SMU and has been a member of Actor’s Equity Association for over 20 years. She is delighted to be working with Amphibian for the very first time!
Johna Sewell
Costume Designer
Johna Sewell is very happy to be working with Amphibian Stage once again. Past productions include serving as wardrobe supervisor for Miss Molly, The Hollow, and Babette’s Feast. They also designed costumes for Hans & Sophie. Other Fort Worth credits include Costume Designer for The Distant Echo of Ancient Youth and Don Quixote with Hip Pocket Theatre; and Costume Designer for Murder For Two with Stage West Theatre. They received their BFA in Theatre Design/Production from the University of Mississippi and their MFA in Costume Design from Indiana University.
Costume Designer
Johna Sewell
Johna Sewell is very happy to be working with Amphibian Stage once again. Past productions include serving as wardrobe supervisor for Miss Molly, The Hollow, and Babette’s Feast. They also designed costumes for Hans & Sophie. Other Fort Worth credits include Costume Designer for The Distant Echo of Ancient Youth and Don Quixote with Hip Pocket Theatre; and Costume Designer for Murder For Two with Stage West Theatre. They received their BFA in Theatre Design/Production from the University of Mississippi and their MFA in Costume Design from Indiana University.
From the Playwright
2023
Spaceman
By Leegrid Stevens
Spaceman
By Leegrid Stevens
ADDED PERFORMANCE! Sunday, March 3rd at 6PM
SPACEMAN is a full-sensory, surround-sound expedition into outer space. Spaceman follows Molly Jennis’s solo mission to Mars after her husband’s failed, tragic attempt at the same journey. Aaron Grunfeld’s review of the original production at Loading Dock Theatre remarked that Spaceman “…is a masterpiece of science fiction..it imparts that classic sense of wonder, marveling at humanity’s potential and the courage that drives our endeavors. If it should come to your city, see it.”
This production will be the first since the world premiere at New York City’s Loading Dock Theatre in 2019.
Amphibian Stage’s New Tiered Ticket Pricing Model
Tickets for this show range from $15-60, but YOU get to decide what you pay in an effort to make theatre more accessible for any budget. Read more about our tiered ticketing model here!
Production Photos
Community Nights
Spaceman: Under 40 Night
February 17th:
Meet new friends. See a play. Talk about it after at The Holly. Free Pre-Show Reception catered by Central Market.
Spaceman: BIPOC Night
February 24th:
Meet new friends. See a play. Talk about it after at The Holly. Free Pre-Show Reception catered by Carpenter’s Cafe & Catering.
Spaceman: LGBTQIA+ Night
March 3rd:
Meet new friends. See a play. Talk about it after at The Holly. Free Pre-Show Reception catered by Taco Heads.
A Note on Community Nights: The February 17th, February 24th, and March 3rd performances of Spaceman are open to the general public just like any other show. Only the pre-show and post-show events are specifically crafted for our Under 40, BIPOC, and LGBTQIA+ Communities.
What People are Saying…
Reviews
Cast & Creatives
Sarah Rutan
Actor
Actor
Sarah Rutan
Jeff Ararat
Actor
Actor
Jeff Ararat
Meagan Harris
Actor
Meagan Harris (She/Her/Hers) is delighted to be joining Spark Fest for her third year! She loves the opportunities Amphibian brings to playwrights to stage their works and expose audiences to new voices! She is proud to have earned her Bachelor’s in Fine Arts in Acting and a Bachelor’s of Arts in Art History from Southern Methodist University. She is also represented by the Mary Collins Agency for film and television. You may have seen her most recently at Amphibian understudying for the role of Molly in Spaceman. She’s also worked around town at Fair Assembly, the Undermain, Kitchen Dog Theatre, IMPRINT Theatreworks, Shakespeare Everywhere and Teatro Dallas as well as performing in her recently co-founded theatre company: Auriga Productions. Meagan would like to thank her family and friends for all their continued support of her work! Find more info about her at marycollins.com.
Actor
Meagan Harris
Meagan Harris (She/Her/Hers) is delighted to be joining Spark Fest for her third year! She loves the opportunities Amphibian brings to playwrights to stage their works and expose audiences to new voices! She is proud to have earned her Bachelor’s in Fine Arts in Acting and a Bachelor’s of Arts in Art History from Southern Methodist University. She is also represented by the Mary Collins Agency for film and television. You may have seen her most recently at Amphibian understudying for the role of Molly in Spaceman. She’s also worked around town at Fair Assembly, the Undermain, Kitchen Dog Theatre, IMPRINT Theatreworks, Shakespeare Everywhere and Teatro Dallas as well as performing in her recently co-founded theatre company: Auriga Productions. Meagan would like to thank her family and friends for all their continued support of her work! Find more info about her at marycollins.com.
Jay Duffer
Co-Artistic Director
Jay Duffer directed The Bible: The Complete Word of God (abridged) for Amphibian both in 2014 and 2017, and Babbette’s Feast in 2019. He will direct Marie Antoinette in our 2022 season. Past Amphibian acting credits include Wittenberg, The Nosemaker’s Apprentice, The Mystery of Irma Vep and the workshop production of David Davalos’ Daedalus (Retitled A Lost Leonardo). He has professional acting and directing credits spanning several decades and has performed in theatres from Off-Broadway, to regional theatres, to productions overseas. Jay has been involved in new works and script development with Threads Theatre Company (serving as a Founding Member and the Executive Director of New Works), Pulse Ensemble Theatre, Manhattan Theatre Source, Kaleidoscope Theatre Company, Fort Wayne Civic Theatre and Brooklyn based The Artful Conspirators. His play, Asleep in the Arms of God, received its world premiere in November 2017 at the Box Theatre in Riverside, CA produced by New Threads Productions (CA). His play, Big Girl, Little World premiered at the New York International Fringe Festival. His latest play, naked, was included in Amphibian’s inaugural SPARKFEST in the summer of 2021. Prior to joining Amphibian as Managing Director, Jay was Associate Professor of Theatre and Department Chair at Huntington University in Indiana. At HU, he directed a wide variety of approximately 50 plays and musicals while heading the theatre program. Jay currently teaches Directing for the Department of Theatre and Dance at the University of Texas Arlington. He is a member of Actors Equity Association and is an Associate Member of the Stage Directors and Choreographers Society.
Co-Artistic Director
Jay Duffer
Jay Duffer directed The Bible: The Complete Word of God (abridged) for Amphibian both in 2014 and 2017, and Babbette’s Feast in 2019. He will direct Marie Antoinette in our 2022 season. Past Amphibian acting credits include Wittenberg, The Nosemaker’s Apprentice, The Mystery of Irma Vep and the workshop production of David Davalos’ Daedalus (Retitled A Lost Leonardo). He has professional acting and directing credits spanning several decades and has performed in theatres from Off-Broadway, to regional theatres, to productions overseas. Jay has been involved in new works and script development with Threads Theatre Company (serving as a Founding Member and the Executive Director of New Works), Pulse Ensemble Theatre, Manhattan Theatre Source, Kaleidoscope Theatre Company, Fort Wayne Civic Theatre and Brooklyn based The Artful Conspirators. His play, Asleep in the Arms of God, received its world premiere in November 2017 at the Box Theatre in Riverside, CA produced by New Threads Productions (CA). His play, Big Girl, Little World premiered at the New York International Fringe Festival. His latest play, naked, was included in Amphibian’s inaugural SPARKFEST in the summer of 2021. Prior to joining Amphibian as Managing Director, Jay was Associate Professor of Theatre and Department Chair at Huntington University in Indiana. At HU, he directed a wide variety of approximately 50 plays and musicals while heading the theatre program. Jay currently teaches Directing for the Department of Theatre and Dance at the University of Texas Arlington. He is a member of Actors Equity Association and is an Associate Member of the Stage Directors and Choreographers Society.
Evan Michael Woods
Marketing Director
Evan is a Fort Worth-based actor, photographer, and designer. His work has been seen at the Dallas Theater Center, Second Thought Theatre, Undermain Theatre, Stage West Theatre, Trinity Shakespeare Festival, Amphibian Stage, and more. Evan holds a BFA in Acting from Texas Christian University. Evan is represented by the Kim Dawson Agency.
Marketing Director
Evan Michael Woods
Evan is a Fort Worth-based actor, photographer, and designer. His work has been seen at the Dallas Theater Center, Second Thought Theatre, Undermain Theatre, Stage West Theatre, Trinity Shakespeare Festival, Amphibian Stage, and more. Evan holds a BFA in Acting from Texas Christian University. Evan is represented by the Kim Dawson Agency.
Kaitlin Hatton
Stage Manager
Kaitlin Hatton is excited to be working with Amphibian Stage again! Recent stage management includes What The Constitution Means to Me, Sherlock Holmes, Marjorie Prime, Handle With Care, Between Riverside and Crazy, Witch, On The Exhale (Stage West), Handless King, Baba, Spaceman, The Hollow, Egress, Hans & Sophie, She-Wolf, Gutenberg! The Musical!, Babette’s Feast, Lonely Planet, and Artist Descending A Staircase (Amphibian Stage Productions), I’m Proud of You, The Other Josh Cohen, Tiny Beautiful Things (Circle Theatre). Recent props designs include Little Women, La Boheme, La Medium (FW Opera), The Persians (Undermain Theatre), Ann (WaterTower Theatre), Instructions for a Seance, Baba, Spaceman, Marie Antoinette (Amphibian Stage Productions), Kodachrome, Fences, Young Frankenstein, An Empty Plate in the Cafe du Grand Boeuf, The Glass Menagerie, The Last Wide Open, and One Man, Two Guvnors (Circle Theatre). Kaitlin holds a BFA in Theatre – Design and Technology from Texas Wesleyan University and teaches Stage Management there. She is a member of Actors’ Equity Association and received the 2019 Live Theatre League Bill Garber Young Artist Award.
Stage Manager
Kaitlin Hatton
Kaitlin Hatton is excited to be working with Amphibian Stage again! Recent stage management includes What The Constitution Means to Me, Sherlock Holmes, Marjorie Prime, Handle With Care, Between Riverside and Crazy, Witch, On The Exhale (Stage West), Handless King, Baba, Spaceman, The Hollow, Egress, Hans & Sophie, She-Wolf, Gutenberg! The Musical!, Babette’s Feast, Lonely Planet, and Artist Descending A Staircase (Amphibian Stage Productions), I’m Proud of You, The Other Josh Cohen, Tiny Beautiful Things (Circle Theatre). Recent props designs include Little Women, La Boheme, La Medium (FW Opera), The Persians (Undermain Theatre), Ann (WaterTower Theatre), Instructions for a Seance, Baba, Spaceman, Marie Antoinette (Amphibian Stage Productions), Kodachrome, Fences, Young Frankenstein, An Empty Plate in the Cafe du Grand Boeuf, The Glass Menagerie, The Last Wide Open, and One Man, Two Guvnors (Circle Theatre). Kaitlin holds a BFA in Theatre – Design and Technology from Texas Wesleyan University and teaches Stage Management there. She is a member of Actors’ Equity Association and received the 2019 Live Theatre League Bill Garber Young Artist Award.
Upcoming Shows
Baba
By Denmo Ibrahim | Directed by Hamid Dehghani
Baba
By Denmo Ibrahim | Directed by Hamid Dehghani
1982, Manhattan. Trapped in the absurd circus of the office of US Passport & Immigration, a desperate father pleads his case—a passport for his little girl—revealing the price he paid for the American Dream in the process. Thirty years later, his daughter Layla embarks on a journey halfway across the world in hopes of reclaiming the lost pieces of her culture, her father, and herself.
For fans of Everything Everywhere All At Once, The Farewell, Aftersun, and Undone.
“Baba is a beautifully tender story, which, paired with the director’s fantastical and colorful vision, promises to deliver an unforgettable night of theatre. Family meets fantasy, past meets present, an airport becomes a portal to another world. You’ll just have to see it for yourself.” – Kathleen Culebro, Artistic Director
Amphibian Stage’s New Tiered Ticket Pricing Model
Tickets for this show range from $15-60, but YOU get to decide what you pay in an effort to make theatre more accessible for any budget. Read more about our tiered ticketing model here!
Production Photos
Community Nights
A Note on Community Nights: The April 28th and May 5th performances of Baba are open to the general public just like any other show. Only the pre-show and post-show events are specifically crafted for our Under 40 and LGBTQIA+ Communities.
Cast & Creatives
Ahmad Kamal
Actor
Ahmad Kamal is delighted to be back at Amphibian Stage, after first appearing in Baba, followed by performing in Sparkfest 2023! Regional credits include Selling Kabul (Northlight Theatre), Hotter Than Egypt (ACT and Marin Theatre Compnay), Gloria (Woolly Mammoth Theatre Company), Everybody (Shakespeare Theatre Company) and The Return (Mosaic Theater Company), among others. Ahmad is a graduate of the University of Virginia and Bristol Old Vic Theatre School.
Actor
Ahmad Kamal
Ahmad Kamal is delighted to be back at Amphibian Stage, after first appearing in Baba, followed by performing in Sparkfest 2023! Regional credits include Selling Kabul (Northlight Theatre), Hotter Than Egypt (ACT and Marin Theatre Compnay), Gloria (Woolly Mammoth Theatre Company), Everybody (Shakespeare Theatre Company) and The Return (Mosaic Theater Company), among others. Ahmad is a graduate of the University of Virginia and Bristol Old Vic Theatre School.
Savannah Yasmine Elayyach
Actor
Actor
Savannah Yasmine Elayyach
Hamid Dehghani
Director
Hamid Dehghani is a director, playwright, and actor. Born and raised in Iran, he considers Buraki-ye Olya, a village in the south of Iran, his hometown. Hamid has received several awards as a director, playwright, and actor from international festivals in Iran. His directing highlights in Iran include two original scripts, From the Environs of Milad and Sohrab’s Transgression, Nathan and Tabileth by Barry Bermange, and Leila by Morteza Hossein Zadeh (co-directing). Hamid graduated from Tehran University of Art in Iran with a bachelor’s degree in Theatre Directing and worked professionally in Tehran’s theatre scene for over 10 years before moving to the United States in 2018 to continue his education.
Since then, Hamid has directed A Moment of Silence by Mohammad Yaghoubi, Eurydice by Sarah Ruhl, and Bengal Tiger at the Baghdad Zoo by Rajiv Joseph at Northwestern University. He also had the opportunity to work as an assistant director at the Metropolitan Opera, Court Theatre, and Chicago Shakespeare Theatre. During the 2020 pandemic when all theaters were closed, he co-founded Grass Studio Theatre and performed three collectively devised pieces – Picnic, Story in a Box, and Reportage of a Room – at various outdoor locations in Chicago. Hamid is the Artistic Fellow at Northlight Theatre and holds an MFA in Directing from Northwestern University.
Looking ahead to the 2024/2025 season, Hamid is excited to direct shows at Northlight Theatre, Goodman Theatre, and Guthrie Theater.
Director
Hamid Dehghani
Hamid Dehghani is a director, playwright, and actor. Born and raised in Iran, he considers Buraki-ye Olya, a village in the south of Iran, his hometown. Hamid has received several awards as a director, playwright, and actor from international festivals in Iran. His directing highlights in Iran include two original scripts, From the Environs of Milad and Sohrab’s Transgression, Nathan and Tabileth by Barry Bermange, and Leila by Morteza Hossein Zadeh (co-directing). Hamid graduated from Tehran University of Art in Iran with a bachelor’s degree in Theatre Directing and worked professionally in Tehran’s theatre scene for over 10 years before moving to the United States in 2018 to continue his education.
Since then, Hamid has directed A Moment of Silence by Mohammad Yaghoubi, Eurydice by Sarah Ruhl, and Bengal Tiger at the Baghdad Zoo by Rajiv Joseph at Northwestern University. He also had the opportunity to work as an assistant director at the Metropolitan Opera, Court Theatre, and Chicago Shakespeare Theatre. During the 2020 pandemic when all theaters were closed, he co-founded Grass Studio Theatre and performed three collectively devised pieces – Picnic, Story in a Box, and Reportage of a Room – at various outdoor locations in Chicago. Hamid is the Artistic Fellow at Northlight Theatre and holds an MFA in Directing from Northwestern University.
Looking ahead to the 2024/2025 season, Hamid is excited to direct shows at Northlight Theatre, Goodman Theatre, and Guthrie Theater.
Yoon Bae
Scenic Designer
Yoon is an award-winning scenic and costume designer working internationally, including London’s West End, Norway, South Korea, Japan, and the USA. Don Giovanni (Welsh National Opera), Candide (Tokyo), Disconnect (Winner Bay Area Theatre Critics Award), Closer (Seoul), Once on This Island (PTC), The Wolves (ATL), Oedipus El Rey (SDR), Once (PTC), The Great Gatsby (ATC), The Importance of Being Earnest (ATC), Emma, The Sunshine Boys, Evita, A Little Night Music, Putting It Together, Ain’t Misbehavin’, The Magic Flute, Scapin, and Private Lives. London’s West End: Gone with the Wind, Birdsong, Skellig, Equus, Three Thousand Troubled Threads (Edinburgh International Festival), the world premiere productions of Caridad Svich’s Archipelago, Howard Barker’s Wounds to the Face, and Jeff Talbott’s The Messenger (PTC). She is Professor at UNCSA, an active diversity committee member, and a board member representative for USA Local 829 and Wingspace. www.yoonbae.com
Scenic Designer
Yoon Bae
Yoon is an award-winning scenic and costume designer working internationally, including London’s West End, Norway, South Korea, Japan, and the USA. Don Giovanni (Welsh National Opera), Candide (Tokyo), Disconnect (Winner Bay Area Theatre Critics Award), Closer (Seoul), Once on This Island (PTC), The Wolves (ATL), Oedipus El Rey (SDR), Once (PTC), The Great Gatsby (ATC), The Importance of Being Earnest (ATC), Emma, The Sunshine Boys, Evita, A Little Night Music, Putting It Together, Ain’t Misbehavin’, The Magic Flute, Scapin, and Private Lives. London’s West End: Gone with the Wind, Birdsong, Skellig, Equus, Three Thousand Troubled Threads (Edinburgh International Festival), the world premiere productions of Caridad Svich’s Archipelago, Howard Barker’s Wounds to the Face, and Jeff Talbott’s The Messenger (PTC). She is Professor at UNCSA, an active diversity committee member, and a board member representative for USA Local 829 and Wingspace. www.yoonbae.com
From the Playwright
2023
Mr & Mrs Fitch
by Douglas Carter Beane
Mr & Mrs Fitch
by Douglas Carter Beane
Meet gossip columnists, Mr. and Mrs. Fitch. When the social circuit no longer provides juicy morsels, when the pressure to create news in our never-ending news cycle becomes just a bit much, it’s time to toss back the martinis, toss around the bon mots and realize that great celebrity can just appear out of thin air.
This wicked, urbane comedy is a scathing look at who is in, who is out, and who may not even exist at all.
Reviews
Gallery
Upcoming Shows
The Understudy
by Theresa Rebeck
The Understudy
by Theresa Rebeck
Franz Kafka’s undiscovered masterpiece in its Broadway premiere is the hilarious and apropos setting for Theresa Rebeck’s exploration of the existential vagaries of show business and life.
Charged with running the understudy rehearsal for the production, Roxanne finds her professional and personal life colliding when Harry, a journeyman actor, and her ex-fiancé, is cast as the understudy to Jake, a mid-tier action star yearning for legitimacy.
As Harry and Jake find their common ground, Roxanne tries to navigate the rehearsal with a stoned lightboard operator, an omnipresent intercom system, the producers threatening to shutter the show, and her own careening feelings about both actors and her past.
Will the show go on?
Reviews
Gallery
Upcoming Shows
Fiction
by Steven Dietz
Fiction
by Steven Dietz
Linda and Michael Waterman are both successful fiction writers, happily married to one another. They thrive on the give and take of their unusually honest and candid relationship. However, when Linda is diagnosed with a tumor, she asks her husband to share his diaries with her.
The entries dive into Michael’s past stay at a writer’s retreat and a hidden affair. Michael says that his entires are only works of fiction. The boundaries between past and present, fact and fiction, trust and betrayal begin to break down, and that’s all before Michael reads Linda’s diaries. No life, as it turns out, is an open book.
Reviews
Cast & Creatives
Lydia Mackay
Actor
Actor
Lydia Mackay
Jakie Cabe
Actor
Actor
Jakie Cabe
Cara L. Reid
Actor
Actor
Cara L. Reid
Steven Dietz
Steven Dietz
Gallery
Upcoming Shows
Death Tax
by Rene Moreno
Death Tax
by Rene Moreno
“Nobody does something for nothing,” declares Maxine (Georgia Clinton), a bitter, delusional old woman nearing the end of her life in a respectable if impersonal eldercare facility.
While she may not be as close to death as she thinks, she is right that the people in her tiny immediate circle –– caregiver Tina (Stormi Demerson), facility supervisor Todd (John Forkner), and Maxine’s daughter (Laurel Whitsett) –– all want something from the paranoid old lady, who happens to have a large fortune that will be made considerably smaller by a pending change in estate tax laws.
Reviews
Cast & Creatives
Georgia Clinton
Actor
Actor
Georgia Clinton
Stormi Demerson
Actor
Actor
Stormi Demerson
John Forkner
Actor
Actor
John Forkner
Laurel Whitsett
Actor
Laurel Whitsett (she/her) is excited to be working with Amphibian again, having taken some time off to earn a second master’s in Linguistics from UT Arlington. Now a PhD student there, her research focuses on issues at the intersection of theatre arts and accessibility, American Sign Language, and humor interpretation. Laurel teaches at UTA in Theatre Arts, Disability Studies, and Modern Languages, preferring to experience the world using naturalist John Muir’s philosophy, “all things are connected”. With a background in improvisation from King’s College London, the Royal Academy of Dramatic Art, and Fort Worth’s own Four Day Weekend (woot!), Laurel guides UTA’s Improvisation track. She’s a state-certified ASL-English interpreter and has worked with the Dallas Theater Center and TheaterWorks Hartford as the American Sign Language and British Sign Language coach on their productions of ‘Clybourne Park’ and ‘Constellations’. Are you a horror film fan? Check out Laurel’s untimely demise in ‘Splinter’, or for a tamer experience you can see her as the acerbic librarian in ‘Super’ alongside Rainn Wilson, or even as the snarky carpool leader in ‘Premonition’ with Sandra Bullock. Laurel has diverse experience in dialogue coaching, dialect coaching, editing, and directing, including working with Chuck Norris on the final season of ‘Walker, Texas Ranger’ and with Alice Braga for ‘Queen of the South’. Fun facts: she was an NFL cheerleader, is a die-hard Pittsburgh Steelers fan, has an identical twin sister, and adores her 3-legged cat, Tuppence.
Actor
Laurel Whitsett
Laurel Whitsett (she/her) is excited to be working with Amphibian again, having taken some time off to earn a second master’s in Linguistics from UT Arlington. Now a PhD student there, her research focuses on issues at the intersection of theatre arts and accessibility, American Sign Language, and humor interpretation. Laurel teaches at UTA in Theatre Arts, Disability Studies, and Modern Languages, preferring to experience the world using naturalist John Muir’s philosophy, “all things are connected”. With a background in improvisation from King’s College London, the Royal Academy of Dramatic Art, and Fort Worth’s own Four Day Weekend (woot!), Laurel guides UTA’s Improvisation track. She’s a state-certified ASL-English interpreter and has worked with the Dallas Theater Center and TheaterWorks Hartford as the American Sign Language and British Sign Language coach on their productions of ‘Clybourne Park’ and ‘Constellations’. Are you a horror film fan? Check out Laurel’s untimely demise in ‘Splinter’, or for a tamer experience you can see her as the acerbic librarian in ‘Super’ alongside Rainn Wilson, or even as the snarky carpool leader in ‘Premonition’ with Sandra Bullock. Laurel has diverse experience in dialogue coaching, dialect coaching, editing, and directing, including working with Chuck Norris on the final season of ‘Walker, Texas Ranger’ and with Alice Braga for ‘Queen of the South’. Fun facts: she was an NFL cheerleader, is a die-hard Pittsburgh Steelers fan, has an identical twin sister, and adores her 3-legged cat, Tuppence.
Rene Moreno
Playwright
Playwright
Rene Moreno
Gallery
Upcoming Shows
Bank Job
by John Kolvenbach
Bank Job
by John Kolvenbach
Just one simple bank job. How hard can it be?
For two brothers new to the armed robbery industry, it turns out it’s a lot more difficult than it appears in the movies. When plans A and B (and C through F) fail, Tracey and Russell, find themselves locked in the bank bathroom with no choice but to depend on a brave bank teller, an unsuspecting cop, and the man who put them up to the whole thing.
Bank Job is a quirky comedy about the holes we dig ourselves into and the people we trust to help us out.
Reviews
Gallery
Upcoming Shows
Hunting & Gathering
by Brooke Berman
Hunting & Gathering
by Brooke Berman
To be content with yourself, you must be able to own up to each and every adventure that you take. Brooke Berman tells the stories of four intertwined 20 and 30-year-old somethings as they try to not only find the perfect real estate in New York City but also the perfect relationship.
Ruth, Astor, Jesse, and Bess all find a way to land in each other’s apartments, but also their minds and hearts. In this fast-paced performance, the audience will be led through the search for the perfect home and relationship.