Just in time for Fall, Amphibian Stage will close their Main Stage season with a darkly comic tale from prolific German writer, Friedrich Dürrenmatt. The Visit tells the story of a wealthy philanthropist returning to her hometown to save it from financial ruin…but the money comes with a deadly request that will test the morals of the town’s inhabitants. This larger-than-life classic will be brought to the stage in partnership with the University of Texas at Arlington’s Theatre faculty and students.
Amphibian Stage’s New Tiered Ticket Pricing Model
Tickets for this show range from $15-60, but YOU get to decide what you pay in an effort to make theatre more accessible for any budget. Read more about our tiered ticketing model here!
From UTA Department Chair
Cast & Creative
Jay Duffer
Co-Artistic Director
Jay Duffer directed The Bible: The Complete Word of God (abridged) for Amphibian both in 2014 and 2017, and Babbette’s Feast in 2019. He will direct Marie Antoinette in our 2022 season. Past Amphibian acting credits include Wittenberg, The Nosemaker’s Apprentice, The Mystery of Irma Vep and the workshop production of David Davalos’ Daedalus (Retitled A Lost Leonardo). He has professional acting and directing credits spanning several decades and has performed in theatres from Off-Broadway, to regional theatres, to productions overseas. Jay has been involved in new works and script development with Threads Theatre Company (serving as a Founding Member and the Executive Director of New Works), Pulse Ensemble Theatre, Manhattan Theatre Source, Kaleidoscope Theatre Company, Fort Wayne Civic Theatre and Brooklyn based The Artful Conspirators. His play, Asleep in the Arms of God, received its world premiere in November 2017 at the Box Theatre in Riverside, CA produced by New Threads Productions (CA). His play, Big Girl, Little World premiered at the New York International Fringe Festival. His latest play, naked, was included in Amphibian’s inaugural SPARKFEST in the summer of 2021. Prior to joining Amphibian as Managing Director, Jay was Associate Professor of Theatre and Department Chair at Huntington University in Indiana. At HU, he directed a wide variety of approximately 50 plays and musicals while heading the theatre program. Jay currently teaches Directing for the Department of Theatre and Dance at the University of Texas Arlington. He is a member of Actors Equity Association and is an Associate Member of the Stage Directors and Choreographers Society.
Co-Artistic Director
Jay Duffer
Jay Duffer directed The Bible: The Complete Word of God (abridged) for Amphibian both in 2014 and 2017, and Babbette’s Feast in 2019. He will direct Marie Antoinette in our 2022 season. Past Amphibian acting credits include Wittenberg, The Nosemaker’s Apprentice, The Mystery of Irma Vep and the workshop production of David Davalos’ Daedalus (Retitled A Lost Leonardo). He has professional acting and directing credits spanning several decades and has performed in theatres from Off-Broadway, to regional theatres, to productions overseas. Jay has been involved in new works and script development with Threads Theatre Company (serving as a Founding Member and the Executive Director of New Works), Pulse Ensemble Theatre, Manhattan Theatre Source, Kaleidoscope Theatre Company, Fort Wayne Civic Theatre and Brooklyn based The Artful Conspirators. His play, Asleep in the Arms of God, received its world premiere in November 2017 at the Box Theatre in Riverside, CA produced by New Threads Productions (CA). His play, Big Girl, Little World premiered at the New York International Fringe Festival. His latest play, naked, was included in Amphibian’s inaugural SPARKFEST in the summer of 2021. Prior to joining Amphibian as Managing Director, Jay was Associate Professor of Theatre and Department Chair at Huntington University in Indiana. At HU, he directed a wide variety of approximately 50 plays and musicals while heading the theatre program. Jay currently teaches Directing for the Department of Theatre and Dance at the University of Texas Arlington. He is a member of Actors Equity Association and is an Associate Member of the Stage Directors and Choreographers Society.
2023
WORLD PREMIERE
The summer play offering will take audiences to Victorian England with a twist. Miss Molly is an homage to Oscar Wilde’s The Importance of Being Earnest offering the same humor and charm of Wilde’s work while incorporating modern references and exploring queer themes (an act punishable by law during Wilde’s lifetime). This new comedy comes from Christine Carmela and will be directed by Evan Michael Woods, 2 TCU alumni who were roommates when Carmela first drafted Miss Molly. Since graduating, Carmela made her Off-broadway debut at SoHo Repertory Theatre and has accrued 6.2 million likes on TikTok–all while studying for her Masters in Screenwriting from the University of Southern California. While Woods is known as a multidisciplinary theatre artist in DFW, Miss Molly marks his directorial debut.
Amphibian Stage’s New Tiered Ticket Pricing Model
Tickets for this show range from $15-60, but YOU get to decide what you pay in an effort to make theatre more accessible for any budget. Read more about our tiered ticketing model here!
From the Playwright
Cast & Creatives
Evan Michael Woods
Marketing Director
Evan is a Fort Worth-based actor, photographer, and designer. His work has been seen at the Dallas Theater Center, Second Thought Theatre, Undermain Theatre, Stage West Theatre, Trinity Shakespeare Festival, Amphibian Stage, and more. Evan holds a BFA in Acting from Texas Christian University. Evan is represented by the Kim Dawson Agency.
Marketing Director
Evan Michael Woods
Evan is a Fort Worth-based actor, photographer, and designer. His work has been seen at the Dallas Theater Center, Second Thought Theatre, Undermain Theatre, Stage West Theatre, Trinity Shakespeare Festival, Amphibian Stage, and more. Evan holds a BFA in Acting from Texas Christian University. Evan is represented by the Kim Dawson Agency.
2023
ADDED PERFORMANCE! Sunday, March 3rd at 6PM
SPACEMAN is a full-sensory, surround-sound expedition into outer space. Spaceman follows Molly Jennis’s solo mission to Mars after her husband’s failed, tragic attempt at the same journey. Aaron Grunfeld’s review of the original production at Loading Dock Theatre remarked that Spaceman “…is a masterpiece of science fiction..it imparts that classic sense of wonder, marveling at humanity’s potential and the courage that drives our endeavors. If it should come to your city, see it.”
This production will be the first since the world premiere at New York City’s Loading Dock Theatre in 2019.
Amphibian Stage’s New Tiered Ticket Pricing Model
Tickets for this show range from $15-60, but YOU get to decide what you pay in an effort to make theatre more accessible for any budget. Read more about our tiered ticketing model here!
Production Photos
Community Nights
A Note on Community Nights: The February 17th, February 24th, and March 3rd performances of Spaceman are open to the general public just like any other show. Only the pre-show and post-show events are specifically crafted for our Under 40, BIPOC, and LGBTQIA+ Communities.
What People are Saying…
Reviews
Cast & Creatives
Sarah Rutan
Actor
Actor
Sarah Rutan
Jeff Ararat
Actor
Actor
Jeff Ararat
Meagan Harris
Actor
Meagan Harris (She/Her/Hers) is delighted to be joining Spark Fest for her third year! She loves the opportunities Amphibian brings to playwrights to stage their works and expose audiences to new voices! She is proud to have earned her Bachelor’s in Fine Arts in Acting and a Bachelor’s of Arts in Art History from Southern Methodist University. She is also represented by the Mary Collins Agency for film and television. You may have seen her most recently at Amphibian understudying for the role of Molly in Spaceman. She’s also worked around town at Fair Assembly, the Undermain, Kitchen Dog Theatre, IMPRINT Theatreworks, Shakespeare Everywhere and Teatro Dallas as well as performing in her recently co-founded theatre company: Auriga Productions. Meagan would like to thank her family and friends for all their continued support of her work! Find more info about her at marycollins.com.
Actor
Meagan Harris
Meagan Harris (She/Her/Hers) is delighted to be joining Spark Fest for her third year! She loves the opportunities Amphibian brings to playwrights to stage their works and expose audiences to new voices! She is proud to have earned her Bachelor’s in Fine Arts in Acting and a Bachelor’s of Arts in Art History from Southern Methodist University. She is also represented by the Mary Collins Agency for film and television. You may have seen her most recently at Amphibian understudying for the role of Molly in Spaceman. She’s also worked around town at Fair Assembly, the Undermain, Kitchen Dog Theatre, IMPRINT Theatreworks, Shakespeare Everywhere and Teatro Dallas as well as performing in her recently co-founded theatre company: Auriga Productions. Meagan would like to thank her family and friends for all their continued support of her work! Find more info about her at marycollins.com.
Jay Duffer
Co-Artistic Director
Jay Duffer directed The Bible: The Complete Word of God (abridged) for Amphibian both in 2014 and 2017, and Babbette’s Feast in 2019. He will direct Marie Antoinette in our 2022 season. Past Amphibian acting credits include Wittenberg, The Nosemaker’s Apprentice, The Mystery of Irma Vep and the workshop production of David Davalos’ Daedalus (Retitled A Lost Leonardo). He has professional acting and directing credits spanning several decades and has performed in theatres from Off-Broadway, to regional theatres, to productions overseas. Jay has been involved in new works and script development with Threads Theatre Company (serving as a Founding Member and the Executive Director of New Works), Pulse Ensemble Theatre, Manhattan Theatre Source, Kaleidoscope Theatre Company, Fort Wayne Civic Theatre and Brooklyn based The Artful Conspirators. His play, Asleep in the Arms of God, received its world premiere in November 2017 at the Box Theatre in Riverside, CA produced by New Threads Productions (CA). His play, Big Girl, Little World premiered at the New York International Fringe Festival. His latest play, naked, was included in Amphibian’s inaugural SPARKFEST in the summer of 2021. Prior to joining Amphibian as Managing Director, Jay was Associate Professor of Theatre and Department Chair at Huntington University in Indiana. At HU, he directed a wide variety of approximately 50 plays and musicals while heading the theatre program. Jay currently teaches Directing for the Department of Theatre and Dance at the University of Texas Arlington. He is a member of Actors Equity Association and is an Associate Member of the Stage Directors and Choreographers Society.
Co-Artistic Director
Jay Duffer
Jay Duffer directed The Bible: The Complete Word of God (abridged) for Amphibian both in 2014 and 2017, and Babbette’s Feast in 2019. He will direct Marie Antoinette in our 2022 season. Past Amphibian acting credits include Wittenberg, The Nosemaker’s Apprentice, The Mystery of Irma Vep and the workshop production of David Davalos’ Daedalus (Retitled A Lost Leonardo). He has professional acting and directing credits spanning several decades and has performed in theatres from Off-Broadway, to regional theatres, to productions overseas. Jay has been involved in new works and script development with Threads Theatre Company (serving as a Founding Member and the Executive Director of New Works), Pulse Ensemble Theatre, Manhattan Theatre Source, Kaleidoscope Theatre Company, Fort Wayne Civic Theatre and Brooklyn based The Artful Conspirators. His play, Asleep in the Arms of God, received its world premiere in November 2017 at the Box Theatre in Riverside, CA produced by New Threads Productions (CA). His play, Big Girl, Little World premiered at the New York International Fringe Festival. His latest play, naked, was included in Amphibian’s inaugural SPARKFEST in the summer of 2021. Prior to joining Amphibian as Managing Director, Jay was Associate Professor of Theatre and Department Chair at Huntington University in Indiana. At HU, he directed a wide variety of approximately 50 plays and musicals while heading the theatre program. Jay currently teaches Directing for the Department of Theatre and Dance at the University of Texas Arlington. He is a member of Actors Equity Association and is an Associate Member of the Stage Directors and Choreographers Society.
Evan Michael Woods
Marketing Director
Evan is a Fort Worth-based actor, photographer, and designer. His work has been seen at the Dallas Theater Center, Second Thought Theatre, Undermain Theatre, Stage West Theatre, Trinity Shakespeare Festival, Amphibian Stage, and more. Evan holds a BFA in Acting from Texas Christian University. Evan is represented by the Kim Dawson Agency.
Marketing Director
Evan Michael Woods
Evan is a Fort Worth-based actor, photographer, and designer. His work has been seen at the Dallas Theater Center, Second Thought Theatre, Undermain Theatre, Stage West Theatre, Trinity Shakespeare Festival, Amphibian Stage, and more. Evan holds a BFA in Acting from Texas Christian University. Evan is represented by the Kim Dawson Agency.
Kaitlin Hatton
Stage Manager
Kaitlin Hatton is excited to be working with Amphibian Stage again! Recent stage management includes Handle with Care, Between Riverside and Crazy, Witch, On The Exhale (Stage West), The Hollow, Egress, SparkFest, Hans & Sophie, She-Wolf, Gutenberg! The Musical!, Babette’s Feast, Lonely Planet, and Artist Descending A Staircase (Amphibian Stage ). Recent props designs include Marie Antoinette (Amphibian Stage), Fences, Young Frankenstein, An Empty Plate in the Cafe du Grand Boeuf, The Glass Menagerie, The Last Wide Open, and One Man, Two Guvnors (Circle Theatre). Kaitlin holds a BFA in Theatre -Design and Technology from Texas Wesleyan University and teaches Stage Management there. Kaitlin is a member of the United States Institute of Theatre Technology and Actors’ Equity Association, and received the 2019 Live Theatre League Bill Garber Young Artist Award.
Stage Manager
Kaitlin Hatton
Kaitlin Hatton is excited to be working with Amphibian Stage again! Recent stage management includes Handle with Care, Between Riverside and Crazy, Witch, On The Exhale (Stage West), The Hollow, Egress, SparkFest, Hans & Sophie, She-Wolf, Gutenberg! The Musical!, Babette’s Feast, Lonely Planet, and Artist Descending A Staircase (Amphibian Stage ). Recent props designs include Marie Antoinette (Amphibian Stage), Fences, Young Frankenstein, An Empty Plate in the Cafe du Grand Boeuf, The Glass Menagerie, The Last Wide Open, and One Man, Two Guvnors (Circle Theatre). Kaitlin holds a BFA in Theatre -Design and Technology from Texas Wesleyan University and teaches Stage Management there. Kaitlin is a member of the United States Institute of Theatre Technology and Actors’ Equity Association, and received the 2019 Live Theatre League Bill Garber Young Artist Award.
Upcoming Shows
1982, Manhattan. Trapped in the absurd circus of the office of US Passport & Immigration, a desperate father pleads his case—a passport for his little girl—revealing the price he paid for the American Dream in the process. Thirty years later, his daughter Layla embarks on a journey halfway across the world in hopes of reclaiming the lost pieces of her culture, her father, and herself.
For fans of Everything Everywhere All At Once, The Farewell, Aftersun, and Undone.
“Baba is a beautifully tender story, which, paired with the director’s fantastical and colorful vision, promises to deliver an unforgettable night of theatre. Family meets fantasy, past meets present, an airport becomes a portal to another world. You’ll just have to see it for yourself.” – Kathleen Culebro, Artistic Director
Amphibian Stage’s New Tiered Ticket Pricing Model
Tickets for this show range from $15-60, but YOU get to decide what you pay in an effort to make theatre more accessible for any budget. Read more about our tiered ticketing model here!
BABA IN REHEARSAL
Community Nights
A Note on Community Nights: The April 28th and May 5th performances of Baba are open to the general public just like any other show. Only the pre-show and post-show events are specifically crafted for our Under 40 and LGBTQIA+ Communities.
Cast & Creatives
Ahmad Kamal
Actor
Ahmad Kamal is thrilled to be making his debut at Amphibian Stage! Ahmad is an Egyptian actor residing in Washington DC, where his regional credits include Arena Stage, Shakespeare Theatre Company, Woolly Mammoth Theatre Company, and Olney Theatre Center, among others. He is a graduate of the University of Virginia and Bristol Old Vic Theatre School. Instagram: @king_o_egypt.
Actor
Ahmad Kamal
Ahmad Kamal is thrilled to be making his debut at Amphibian Stage! Ahmad is an Egyptian actor residing in Washington DC, where his regional credits include Arena Stage, Shakespeare Theatre Company, Woolly Mammoth Theatre Company, and Olney Theatre Center, among others. He is a graduate of the University of Virginia and Bristol Old Vic Theatre School. Instagram: @king_o_egypt.
Savannah Yasmine Elayyach
Actor
Savannah Yasmine Elayyach is a Lebanese-Brazilian actor born and raised in Dallas, TX. She has worked with various DFW theaters, including Dallas Theater Center (Clue), Circle Theatre (One Man, Two Guvnors and HSPP: Waiting for the End), Echo Theatre (Tomorrow Game), Imprint Theatreworks (PUFFS, We Are Pussy Riot, and First Impressions Festival), Firehouse Theatre (Curiouser), and Lily & Joan (Redeemer Mine). Other credits include In the Heights, Dog Sees God, The Crucible, Watbanaland, The Merry Wives of Windsor, Fefu and Her Friends, and more.
Actor
Savannah Yasmine Elayyach
Savannah Yasmine Elayyach is a Lebanese-Brazilian actor born and raised in Dallas, TX. She has worked with various DFW theaters, including Dallas Theater Center (Clue), Circle Theatre (One Man, Two Guvnors and HSPP: Waiting for the End), Echo Theatre (Tomorrow Game), Imprint Theatreworks (PUFFS, We Are Pussy Riot, and First Impressions Festival), Firehouse Theatre (Curiouser), and Lily & Joan (Redeemer Mine). Other credits include In the Heights, Dog Sees God, The Crucible, Watbanaland, The Merry Wives of Windsor, Fefu and Her Friends, and more.
Hamid Dehghani
Director
Hamid Dehghani is a director, playwright, and actor. Born and raised in Iran, he considers Buraki-ye Olya, a village in the south of Iran, his hometown. Hamid has received several awards as a director, playwright, and actor from international festivals in Iran. His directing highlights in Iran include two original scripts, From the Environs of Milad and Sohrab’s Transgression, Nathan and Tabileth by Barry Bermange, and Leila by Morteza Hossein Zadeh (co-directing). Hamid graduated from Tehran University of Art in Iran with a bachelor’s degree in Theatre Directing and worked professionally in Tehran’s theatre scene for over 10 years before moving to the United States in 2018 to continue his education.
Since then, Hamid has directed A Moment of Silence by Mohammad Yaghoubi, Eurydice by Sarah Ruhl, and Bengal Tiger at the Baghdad Zoo by Rajiv Joseph at Northwestern University. He also had the opportunity to work as an assistant director at the Metropolitan Opera, Court Theatre, and Chicago Shakespeare Theatre. During the 2020 pandemic when all theaters were closed, he co-founded Grass Studio Theatre and performed three collectively devised pieces – Picnic, Story in a Box, and Reportage of a Room – at various outdoor locations in Chicago. Hamid is the Artistic Fellow at Northlight Theatre and holds an MFA in Directing from Northwestern University.
Looking ahead to the 2024/2025 season, Hamid is excited to direct shows at Northlight Theatre, Goodman Theatre, and Guthrie Theater.
Director
Hamid Dehghani
Hamid Dehghani is a director, playwright, and actor. Born and raised in Iran, he considers Buraki-ye Olya, a village in the south of Iran, his hometown. Hamid has received several awards as a director, playwright, and actor from international festivals in Iran. His directing highlights in Iran include two original scripts, From the Environs of Milad and Sohrab’s Transgression, Nathan and Tabileth by Barry Bermange, and Leila by Morteza Hossein Zadeh (co-directing). Hamid graduated from Tehran University of Art in Iran with a bachelor’s degree in Theatre Directing and worked professionally in Tehran’s theatre scene for over 10 years before moving to the United States in 2018 to continue his education.
Since then, Hamid has directed A Moment of Silence by Mohammad Yaghoubi, Eurydice by Sarah Ruhl, and Bengal Tiger at the Baghdad Zoo by Rajiv Joseph at Northwestern University. He also had the opportunity to work as an assistant director at the Metropolitan Opera, Court Theatre, and Chicago Shakespeare Theatre. During the 2020 pandemic when all theaters were closed, he co-founded Grass Studio Theatre and performed three collectively devised pieces – Picnic, Story in a Box, and Reportage of a Room – at various outdoor locations in Chicago. Hamid is the Artistic Fellow at Northlight Theatre and holds an MFA in Directing from Northwestern University.
Looking ahead to the 2024/2025 season, Hamid is excited to direct shows at Northlight Theatre, Goodman Theatre, and Guthrie Theater.
Yoon Bae
Scenic Designer
Yoon is an award-winning scenic and costume designer working internationally, including London’s West End, Norway, South Korea, Japan, and the USA. Don Giovanni (Welsh National Opera), Candide (Tokyo), Disconnect (Winner Bay Area Theatre Critics Award), Closer (Seoul), Once on This Island (PTC), The Wolves (ATL), Oedipus El Rey (SDR), Once (PTC), The Great Gatsby (ATC), The Importance of Being Earnest (ATC), Emma, The Sunshine Boys, Evita, A Little Night Music, Putting It Together, Ain’t Misbehavin’, The Magic Flute, Scapin, and Private Lives. London’s West End: Gone with the Wind, Birdsong, Skellig, Equus, Three Thousand Troubled Threads (Edinburgh International Festival), the world premiere productions of Caridad Svich’s Archipelago, Howard Barker’s Wounds to the Face, and Jeff Talbott’s The Messenger (PTC). She is Professor at UNCSA, an active diversity committee member, and a board member representative for USA Local 829 and Wingspace. www.yoonbae.com
Scenic Designer
Yoon Bae
Yoon is an award-winning scenic and costume designer working internationally, including London’s West End, Norway, South Korea, Japan, and the USA. Don Giovanni (Welsh National Opera), Candide (Tokyo), Disconnect (Winner Bay Area Theatre Critics Award), Closer (Seoul), Once on This Island (PTC), The Wolves (ATL), Oedipus El Rey (SDR), Once (PTC), The Great Gatsby (ATC), The Importance of Being Earnest (ATC), Emma, The Sunshine Boys, Evita, A Little Night Music, Putting It Together, Ain’t Misbehavin’, The Magic Flute, Scapin, and Private Lives. London’s West End: Gone with the Wind, Birdsong, Skellig, Equus, Three Thousand Troubled Threads (Edinburgh International Festival), the world premiere productions of Caridad Svich’s Archipelago, Howard Barker’s Wounds to the Face, and Jeff Talbott’s The Messenger (PTC). She is Professor at UNCSA, an active diversity committee member, and a board member representative for USA Local 829 and Wingspace. www.yoonbae.com
From the Playwright
2023
Meet gossip columnists, Mr. and Mrs. Fitch. When the social circuit no longer provides juicy morsels, when the pressure to create news in our never-ending news cycle becomes just a bit much, it’s time to toss back the martinis, toss around the bon mots and realize that great celebrity can just appear out of thin air.
This wicked, urbane comedy is a scathing look at who is in, who is out, and who may not even exist at all.
Reviews
Gallery
Upcoming Shows
Franz Kafka’s undiscovered masterpiece in its Broadway premiere is the hilarious and apropos setting for Theresa Rebeck’s exploration of the existential vagaries of show business and life.
Charged with running the understudy rehearsal for the production, Roxanne finds her professional and personal life colliding when Harry, a journeyman actor, and her ex-fiancé, is cast as the understudy to Jake, a mid-tier action star yearning for legitimacy.
As Harry and Jake find their common ground, Roxanne tries to navigate the rehearsal with a stoned lightboard operator, an omnipresent intercom system, the producers threatening to shutter the show, and her own careening feelings about both actors and her past.
Will the show go on?
Reviews
Gallery
Upcoming Shows
Linda and Michael Waterman are both successful fiction writers, happily married to one another. They thrive on the give and take of their unusually honest and candid relationship. However, when Linda is diagnosed with a tumor, she asks her husband to share his diaries with her.
The entries dive into Michael’s past stay at a writer’s retreat and a hidden affair. Michael says that his entires are only works of fiction. The boundaries between past and present, fact and fiction, trust and betrayal begin to break down, and that’s all before Michael reads Linda’s diaries. No life, as it turns out, is an open book.
Reviews
Cast & Creatives
Lydia Mackay
Actor
Actor
Lydia Mackay
Jakie Cabe
Actor
Actor
Jakie Cabe
Cara L. Reid
Actor
Actor
Cara L. Reid
Steven Dietz
Steven Dietz
Gallery
Upcoming Shows
“Nobody does something for nothing,” declares Maxine (Georgia Clinton), a bitter, delusional old woman nearing the end of her life in a respectable if impersonal eldercare facility.
While she may not be as close to death as she thinks, she is right that the people in her tiny immediate circle –– caregiver Tina (Stormi Demerson), facility supervisor Todd (John Forkner), and Maxine’s daughter (Laurel Whitsett) –– all want something from the paranoid old lady, who happens to have a large fortune that will be made considerably smaller by a pending change in estate tax laws.
Reviews
Cast & Creatives
Georgia Clinton
Actor
Actor
Georgia Clinton
Stormi Demerson
Actor
Actor
Stormi Demerson
John Forkner
Actor
Actor
John Forkner
Laurel Whitsett
Actor
Actor
Laurel Whitsett
Rene Moreno
Playwright
Playwright
Rene Moreno
Gallery
Upcoming Shows
Just one simple bank job. How hard can it be?
For two brothers new to the armed robbery industry, it turns out it’s a lot more difficult than it appears in the movies. When plans A and B (and C through F) fail, Tracey and Russell, find themselves locked in the bank bathroom with no choice but to depend on a brave bank teller, an unsuspecting cop, and the man who put them up to the whole thing.
Bank Job is a quirky comedy about the holes we dig ourselves into and the people we trust to help us out.
Reviews
Gallery