Meet gossip columnists, Mr. and Mrs. Fitch. When the social circuit no longer provides juicy morsels, when the pressure to create news in our never-ending news cycle becomes just a bit much, it’s time to toss back the martinis, toss around the bon mots and realize that great celebrity can just appear out of thin air.

This wicked, urbane comedy is a scathing look at who is in, who is out, and who may not even exist at all.

Franz Kafka’s undiscovered masterpiece in its Broadway premiere is the hilarious and apropos setting for Theresa Rebeck’s exploration of the existential vagaries of show business and life.

Charged with running the understudy rehearsal for the production, Roxanne finds her professional and personal life colliding when Harry, a journeyman actor, and her ex-fiancé, is cast as the understudy to Jake, a mid-tier action star yearning for legitimacy.

As Harry and Jake find their common ground, Roxanne tries to navigate the rehearsal with a stoned lightboard operator, an omnipresent intercom system, the producers threatening to shutter the show, and her own careening feelings about both actors and her past.

Will the show go on?

Linda and Michael Waterman are both successful fiction writers, happily married to one another. They thrive on the give and take of their unusually honest and candid relationship. However, when Linda is diagnosed with a tumor, she asks her husband to share his diaries with her.

The entries dive into Michael’s past stay at a writer’s retreat and a hidden affair. Michael says that his entires are only works of fiction. The boundaries between past and present, fact and fiction, trust and betrayal begin to break down, and that’s all before Michael reads Linda’s diaries. No life, as it turns out, is an open book.

“Nobody does something for nothing,” declares Maxine (Georgia Clinton), a bitter, delusional old woman nearing the end of her life in a respectable if impersonal eldercare facility.

While she may not be as close to death as she thinks, she is right that the people in her tiny immediate circle –– caregiver Tina (Stormi Demerson), facility supervisor Todd (John Forkner), and Maxine’s daughter (Laurel Whitsett) –– all want something from the paranoid old lady, who happens to have a large fortune that will be made considerably smaller by a pending change in estate tax laws.

Just one simple bank job. How hard can it be?

For two brothers new to the armed robbery industry, it turns out it’s a lot more difficult than it appears in the movies. When plans A and B (and C through F) fail, Tracey and Russell, find themselves locked in the bank bathroom with no choice but to depend on a brave bank teller, an unsuspecting cop, and the man who put them up to the whole thing.

Bank Job is a quirky comedy about the holes we dig ourselves into and the people we trust to help us out.

To be content with yourself, you must be able to own up to each and every adventure that you take. Brooke Berman tells the stories of four intertwined 20 and 30-year-old somethings as they try to not only find the perfect real estate in New York City but also the perfect relationship.

Ruth, Astor, Jesse, and Bess all find a way to land in each other’s apartments, but also their minds and hearts. In this fast-paced performance, the audience will be led through the search for the perfect home and relationship.

A father weaves a magical tale for his daughter to justify his unlicensed plastic surgery practice, tracing the origins of cosmetic surgery to craftsmen in medieval Europe.

The hero of this tale is Gavin, a young orphan rescued from the Ivanhoe Workhouse for Criminally Impoverished Boys when he is apprenticed with the local Nosemaker. Gavin becomes one of the finest surgeons in Vienna, using innovative skin grafting techniques and cutting-edge alchemy, but when he is unable to help a powerful and mutilated knight recently returned from the crusades, he finds his feet over the fire… literally.

Part Monty Python and part Princess Bride with a dash of South Park, this play is comedy at its most deliciously absurd.

Becky Mode’s fast, funny, uplifting one-man show at Amphibian Stage Productions, gives us the overworked, under-compensated Sam (Russell Saylor), a reservations manager and aspiring actor at a busy, upscale New York restaurant, who wants to go home for Christmas but is rebuffed by the spoiled, pampered chef who is his boss.

Joe is patriotic, independent, and proud in his flannel shirt and dirt-smudged work boots in Mercy Killers, Michael Milligan’s one-man show.

Working hard at his beloved auto repair shop, he doesn’t need help from anyone. Then his wife, Jane, is diagnosed with breast cancer and they start falling through health care cracks.

Milligan’s play was inspired by the huge numbers of “Americans are driven into bankruptcy by medical debt,” he writes in notes to the play. “Mercy Killers is my attempt to translate those statistics into the actual human experience.”