Shows category: Main Stage

Bob Hess serves as an Assistant Professor of Acting in the Department of Dance and Theatre. He began teaching there in 2009 as an adjunct professor, and, in the Fall of 2019, became a full-time professor. He holds a Bachelor of Arts degree, summa cum laude, from the University of Kentucky and a Master of Fine Arts degree, magna cum laude, from Trinity University. As a stage actor, Bob has appeared in nearly every stage in the Metroplex over the last 40 years.

Greg Holt is very happy to be returning to Amphibian Stage Productions where he last appeared in Babette’s Feast. Amphibian audiences may also remember him from Artist Descending a Staircase, Cyrano, and Time Stands Still. Other D/FW credits include leading roles at Shakespreare Dallas (The Tempest), Contemporary Theatre of Dallas (The Diviners), Theatre Three/Theatre Too (The Birds), WaterTower Theatre (The Game’s Afoot), and Circle Theatre’s digital reading of George Orwell’s 1984. In Austin, he has worked at Zachary Scott Theatre Center (Pride’s Crossing), Mary Moody Northen Theatre (Macbeth, Measure for Measure) and Live Oak Theatre (She Loves Me, for which he won the Austin Critics Table Award).

Jonathan was born and raised in Fort Worth, TX. He went to TCU for his undergraduate degree. He has worked as a performer on many Amphibian shows including: Vigil, La Llorona, Below the Belt, and Leonce and Lena as well as the 2003 national premiere of The True History of…Julia Pastrana… Jonathan’s directing credits for Amphibian include Northside Hollow, Artist Descending a Staircase, and The True History of…Julia Pastrana, remounted in 2012. Broadway credits include The Play that Goes Wrong (also National Tour), Noises Off, Pygmalion with Roundabout Theatre Company, and The Seagull at the Walter Kerr. Jonathan has worked regionally at The Old Globe, Ford’s Theater, Penguin Rep, and the Harbor Stage Company: a company he helped found in 2012. On television he has appeared on “Law and Order: SVU” (NBC), “Castle Rock” (Hulu) and “Gotham” (FOX). He holds his his Masters Degree from Mason Gross School of the Arts at Rutgers University.

Brenda Withers is a playwright, actor, and founding member of the Harbor Stage Company on Cape Cod.  She’s worked onstage and off at places like Northern Stage, Hudson Valley Shakespeare Festival, Amphibian Stage, A.R.T, the McCarter ,and Actors Theatre of Louisville. She’s a recipient of the Clauder Prize, a playwriting fellow at the Huntington Theatre, and a graduate of Dartmouth College.

Hannah Valdovinos is so happy to be working on this show with Amphibian! Acting credits include Our Town (DTC), The True History… of Julia Pastrana (Amphibian Stage), In the Heights (Firehouse Theater), West Side Story (Stolen Shakespeare Guild), Summer and Smoke (Classics Theatre Project), and Romeo & Juliet/Twelfth Night (Trinity Shakespeare Festival). She also works as a costume designer in the area, most recently for Witch and Lifespan of a Fact (Stage West), & is a graduate of TCU with her BFA in Acting.

David Lanza has been sound designing in DFW for some time now, is excited to still be sound designing, and looks forward to sound designing more in the future.  He also loves the Phibs always and forever.  Pro-tip: eat half of your cookie now, and save the other half for a late night snack after the show.  Follow David Lanza Audio on Facebook or go to www.DavidLanzaAudio.com to learn more.  Or look up my LiveJournal I had in high school. Love to Nikki, Maggie, Peter, and the Oxford comma.

Denise is very excited to return to Amphibian Stage to tell this story. As a Dallas based actress for a little over 30 years, she is proud to say she has performed on almost every theater stage in the metroplex, She is the CEO of Denise Lee Onstage and founder of the Dallas Cabaret Festival and the DLO Cabaret series.. For her one-woman shows ‘Divas of American Music’ and ‘Too Old, Too Fat, Too Black – Songs I’ll Never Sing On Broadway” she was awarded Broadway World Awards for Best Cabaret Performer. She is also the recipient of the Sammons Center for the Arts Cabaret Artist of the Year and multiple Dallas Theater Critic Forum and Dallas Readers Voice Awards.

Lee has also added ‘playwright’ to her list of accomplishments. Her first play ‘Funny, You Don’t Act Like A Negro’ had its World Premiere at the historic Theatre Three in February 2020.

In addition to her career as an Artist, Denise Lee is a fierce Social Justice activist. She established ‘Community Conversation’ through her non-profit organization Visions For Change, Inc. Since 2016, these monthly gatherings have brought people together for respectful, open, honest dialogue in order to heal racial and community tension. VFC also hosts and sponsors Anti-Racist and Diversity Workshops for Arts Organizations, Schools and Corporations. For these efforts, she has received several awards including the Black Tie Dinner’s 2022 Dale Hansen Ally of the Year Award, the 2019 Cathedral of Hope’s Hero of Hope Award. She also serves as the Social Justice Strategist for the Dallas Children’s Theater and is a on the Board of Directors for the AT&T Performing Arts Center.

William (Bill) Earl Ray is a Director/Actor with 40 years of experience in the business. Directing credits are: Blind, Lonely Planet, No Niggers, No Jews, No Dogs, Two Trains Running, Skeleton Crew, King Liz, Ain’t Misbehavin’, A Raisin In The Sun & Having Our Say, staring Ms. Irma P. Hall (Big Mama of Soul Food movie fame, and A Family Thing), Beehive, The 60’S Musical, The Gin Game, The Gospel At Colonus, Fires In The Mirror, A Song For Coretta, The Lovesong For Miss Lydia, Annie Get Your Gun, Jerry’s Girls, Agnes Of God, The Heiress, Sea Marks, Ceremonies In Dark Old Men, Lilies Of The Field, And Others. Some Of William’s Acting Credits Would Include, The Whipping Man, Mastharold And The Boys, The Meeting, Blues For An Alabama Sky, Driving Miss Daisy, Misery, God’s Favorite, Two Trains Running, Joe Turner’s Come And Gone, Dirty Work, Cobb, Miss Evers Boys, The Sunset Limited, Piano Lesson, Audience, Of Mice And Men, A Street Car Named Desire, Simply Heavenly, Bank Job, Amen Corner And Others. Tv And Film Credits Include – The Tuskegee Airmen, The Gas Café’, Cadillac Ranch, The Temp, Dr. Giggles, Terror In The Towers, Better Off Dead, Walker Texas Ranger and the soon to be released short film, Con Alma, which has been selected for the Martha’s Vineyard African American Film Festival. William is a member of Actors Equity, Screen Actors Guild and a graduate of the Evergreen State College with a Bachelor of Arts degree in the performing arts. 

Kaitlin Hatton is excited to be working with Amphibian Stage again! Recent stage management includes What The Constitution Means to Me, Sherlock Holmes, Marjorie Prime, Handle With Care, Between Riverside and Crazy, Witch, On The Exhale (Stage West), Handless King, Baba, Spaceman, The Hollow, Egress, Hans & Sophie, She-Wolf, Gutenberg! The Musical!, Babette’s Feast, Lonely Planet, and Artist Descending A Staircase (Amphibian Stage Productions), I’m Proud of You, The Other Josh Cohen, Tiny Beautiful Things (Circle Theatre). Recent props designs include Little Women, La Boheme, La Medium (FW Opera), The Persians (Undermain Theatre), Ann (WaterTower Theatre), Instructions for a Seance, Baba, Spaceman, Marie Antoinette (Amphibian Stage Productions), Kodachrome, Fences, Young Frankenstein, An Empty Plate in the Cafe du Grand Boeuf, The Glass Menagerie, The Last Wide Open, and One Man, Two Guvnors (Circle Theatre). Kaitlin holds a BFA in Theatre – Design and Technology from Texas Wesleyan University and teaches Stage Management there. She is a member of Actors’ Equity Association and received the 2019 Live Theatre League Bill Garber Young Artist Award.

Adam Chamberlin (Lighting Designer) is thrilled to be returning to Amphibian Stage Productions. He is the managing director of theatre production and associate professor of lighting and sound design for the Department of Dance and Theatre at the University of North Texas. Previously, he has taught as an assistant professor for the dance department at Virginia Commonwealth University. He is currently serving on the Leadership of the Lighting Commission for the United States Institute for Theatre Technology as awards coordinator and poster session co-coordinator. Previously, he has held the positions of vice-commissioner of special projects and light lab designer. He has designed lighting for companies including The Latin Ballet of Virginia, Shakespeare Dallas, Oklahoma City Rep., One World Theatre, Stage West, K-Dance, Kitchen Dog, and WaterTower Theatre. He was a founding member of Dysfunctional Theatre Company in NYC and Amaranth Contemporary Dance in Richmond, VA. In addition, he is a founding member of the Beyond the Sock Puppetry. He holds an MFA in theatrical design from the University of Texas at Austin.

David Lanza has been sound designing in DFW for some time now, is excited to still be sound designing, and looks forward to sound designing more in the future.  He also loves the Phibs always and forever.  Pro-tip: eat half of your cookie now, and save the other half for a late night snack after the show.  Follow David Lanza Audio on Facebook or go to www.DavidLanzaAudio.com to learn more.  Or look up my LiveJournal I had in high school. Love to Nikki, Maggie, Peter, and the Oxford comma.

Previous work at Amphibian: Babette’s Feast (2019)

Megan Haratine is thrilled to be back onstage at Amphibian, last seen here in Babette’s Feast and the staged reading of C22. She finds working on The Pleasure Trials particularly meaningful in light of her last project this past fall, a play at Echo Theatre Company about the women’s suffrage movement. Getting to work with a dynamic group of women on another new play is a privilege she does not take lightly as the pandemic drones on, threatening the livelihood of artists everywhere. Megan has also been seen onstage fairly recently at Stage West and WaterTower Theatre and is an Assistant Professor in UTA’s Department of Theatre and Dance. Currently she serves as the current Texas Chair for KCACTF Region 6 and is working towards certification in Knight-Thompson Speechwork. Her MFA in Acting is from the University of Delaware’s PTTP and she wonders how one acquires an MFA in the art of Parenting as she and her husband, Richie, raise some pretty awesome kiddos during this crazy time. I love you, my family! Special shout out to my mama whose love and support helps keep me going!

Patrick Bynane is originally from Northeast Ohio and has lived and worked across the US. He has a Ph.D in Theatre History from LSU (Geaux Tigers!) and is a proud member of Actors Equity. He has lived in Denton, TX since 2006 when he moved there to join the Texas Woman’s University Theatre Program. He is Program Director for TWU Theatre and is currently enjoying a semester sabbatical to pursue creative and scholarly projects. He is thrilled to return to the Amphibian stage where he has previously been seen in this past summer’s SparkFest, Babette’s Feast and A Lost Leonardo among other productions.

Previous Credits Include: TEXAS: Amphibian Stage: Babette’s Feast, Theatre Arlington: Ripcord, Dead Man’s Cellphone, The Magical City of Oz, Stolen Shakespeare Guild: West Side Story. REGIONAL: Shakespeare Theatre Company: Hamlet, Williamstown Theatre Festival: June Moon, 4615 Theatre: Macbeth, Dinner, King John, Lion in Winter, The Pillowman, The Changeling, Pallas Theatre Collective: Assassins, Brave Spirits Theatre: Antony and Cleopatra, Maid’s Tragedy, Annapolis Shakespeare Company, Romeo and Juliet. TRAINING: Catholic University, BA in Drama.

Elly Lindsay moved to Dallas in the fall of 1977 from the East Coast. She was promptly cast as small town Texas girl, Margie Lynn Kayro in Ladybug, Ladybug, Fly Away Home and had to learn a Texas accent. Cheryl Denson kept telling her to smile more. Elly was last seen at Amphibian Theater Company as Player One (Dean and others) in Babette’s Feast. She also appeared as Grace in Vigil. Most recently Elly played Linda French in Grand Horizons at Stage West and Grandma in Undermain Theater’s workshop production of David Rabe’s He’s Born, He’s Borne. Recent roles include Annie Nations in Foxfire at Theatre Three, Mertis Katherine in John at Undermain (DFW Critics Forum Award). Other roles include: Mrs. Dashwood in Sense and Sensibility for Stolen Shakespeare Guild, Grandma in The American Dream and The Sandbox for Wingspan Theater; Lily in Six Dance Lessons in Six Weeks at Theater Too; Daisy Werthan in Driving Miss Daisy at FMPAT; Annabelle Chester in Snake in the Grass at Circle Theater (Ft. Worth Weekly – best show); Beth & others in String of Pearls and Evelyn Miller in Kindertransport for Echo Theater; and Judith Bliss in Hay Fever for Theater Britain. Elly also appeared as Carrie Watts in The Trip to Bountiful at The Contemporary Theater of Dallas for which she received D Magazine’s Best Actress of 2011 and the DFW Critics Forum Award. In her forty years in Dallas, she has also appeared at the Dallas Theater Center, the Dallas Children’s Theater, the Dallas Shakespeare Festival, and New Arts. New York credits include The Manhattan Theater Club and Café LaMama. Her television credits include “Dallas”, “Dangerous Curves”, “Fire & Rain”, and “Wishbone”. She appeared in the independent film LATE BLOOMERS, the short film THE HUSBAND and the independent film, STUCK. Elly taught for over twenty years at Booker T. Washington High School for the Performing & Visual Arts. Love to her mainstay and support, husband Randy Bonifay.

Melissa is thrilled to be returning to Amphibian Stage where she was last seen in BABETTE’S FEAST. Favorite regional credits include GOD OF CARNAGE, TITANIC, SOUTH PACIFIC, A FUNNY THING HAPPENED ON THE WAY TO THE FORUM, JOSEPH…DREAMCOAT, and JESUS CHRIST SUPERSTAR. Melissa has also performed in many musical revues and industrials in New York City, regional theatres across the country and overseas. She has appeared as a Barbie for Mattel and been a featured singer for the Macy’s Flower Show in New York City. Melissa holds a BME in voice from Baylor University and attended the American Musical and Dramatic Academy. Melissa is a proud member of Actors’ Equity Association. Thank you to Kathleen and Jay for this opportunity.

Greg Holt is very happy to be returning to Amphibian Stage Productions where he last appeared in Babette’s Feast. Amphibian audiences may also remember him from Artist Descending a Staircase, Cyrano, and Time Stands Still. Other D/FW credits include leading roles at Shakespreare Dallas (The Tempest), Contemporary Theatre of Dallas (The Diviners), Theatre Three/Theatre Too (The Birds), WaterTower Theatre (The Game’s Afoot), and Circle Theatre’s digital reading of George Orwell’s 1984. In Austin, he has worked at Zachary Scott Theatre Center (Pride’s Crossing), Mary Moody Northen Theatre (Macbeth, Measure for Measure) and Live Oak Theatre (She Loves Me, for which he won the Austin Critics Table Award).

Jay Duffer directed The Bible: The Complete Word of God (abridged) for Amphibian both in 2014 and 2017, and Babbette’s Feast in 2019. He will direct Marie Antoinette in our 2022 season. Past Amphibian acting credits include Wittenberg, The Nosemaker’s Apprentice, The Mystery of Irma Vep and the workshop production of David Davalos’ Daedalus (Retitled A Lost Leonardo). He has professional acting and directing credits spanning several decades and has performed in theatres from Off-Broadway, to regional theatres, to productions overseas. Jay has been involved in new works and script development with Threads Theatre Company (serving as a Founding Member and the Executive Director of New Works), Pulse Ensemble Theatre, Manhattan Theatre Source, Kaleidoscope Theatre Company, Fort Wayne Civic Theatre and Brooklyn based The Artful Conspirators. His play, Asleep in the Arms of God, received its world premiere in November 2017 at the Box Theatre in Riverside, CA produced by New Threads Productions (CA). His play, Big Girl, Little World premiered at the New York International Fringe Festival. His latest play, naked, was included in Amphibian’s inaugural SPARKFEST in the summer of 2021. Prior to joining Amphibian as Managing Director, Jay was Associate Professor of Theatre and Department Chair at Huntington University in Indiana. At HU, he directed a wide variety of approximately 50 plays and musicals while heading the theatre program. Jay currently teaches Directing for the Department of Theatre and Dance at the University of Texas Arlington. He is a member of Actors Equity Association and is an Associate Member of the Stage Directors and Choreographers Society.

Adam Chamberlin (Lighting Designer) is thrilled to be returning to Amphibian Stage Productions. He is the managing director of theatre production and associate professor of lighting and sound design for the Department of Dance and Theatre at the University of North Texas. Previously, he has taught as an assistant professor for the dance department at Virginia Commonwealth University. He is currently serving on the Leadership of the Lighting Commission for the United States Institute for Theatre Technology as awards coordinator and poster session co-coordinator. Previously, he has held the positions of vice-commissioner of special projects and light lab designer. He has designed lighting for companies including The Latin Ballet of Virginia, Shakespeare Dallas, Oklahoma City Rep., One World Theatre, Stage West, K-Dance, Kitchen Dog, and WaterTower Theatre. He was a founding member of Dysfunctional Theatre Company in NYC and Amaranth Contemporary Dance in Richmond, VA. In addition, he is a founding member of the Beyond the Sock Puppetry. He holds an MFA in theatrical design from the University of Texas at Austin.

David Lanza has been sound designing in DFW for some time now, is excited to still be sound designing, and looks forward to sound designing more in the future.  He also loves the Phibs always and forever.  Pro-tip: eat half of your cookie now, and save the other half for a late night snack after the show.  Follow David Lanza Audio on Facebook or go to www.DavidLanzaAudio.com to learn more.  Or look up my LiveJournal I had in high school. Love to Nikki, Maggie, Peter, and the Oxford comma.

Melissa is thrilled to be returning to Amphibian Stage where she was last seen in BABETTE’S FEAST. Favorite regional credits include GOD OF CARNAGE, TITANIC, SOUTH PACIFIC, A FUNNY THING HAPPENED ON THE WAY TO THE FORUM, JOSEPH…DREAMCOAT, and JESUS CHRIST SUPERSTAR. Melissa has also performed in many musical revues and industrials in New York City, regional theatres across the country and overseas. She has appeared as a Barbie for Mattel and been a featured singer for the Macy’s Flower Show in New York City. Melissa holds a BME in voice from Baylor University and attended the American Musical and Dramatic Academy. Melissa is a proud member of Actors’ Equity Association. Thank you to Kathleen and Jay for this opportunity.

Jeff Stanfield is a graduate of Texas Christian University. After spending eight and a half seasons with Dallas Children’s Theater, he is pleased to have returned to Fort Worth with Amphibian Stage. You may have seen him on stage under the open Texas sky at the Hip Pocket Theatre in such productions as Love Letters to a Raven, Loop the Loop, In Watermelon Sugar, The Lake Worth Monster and Don Quixote.

Jovane is immensely grateful to be working with Amphibian Stage again in order to bring this story to life. He has previously appeared on stage at Amphibian as Doug Simon in Gutenberg! The Musical!. Other regional theatres he’s worked with include the Danielle Georgiou Dance Group (The Savage Seconds), Undermain Theatre (Red Chariot; Lady from the Sea), Stage West (Everybody), Second Thought Theatre (Enemies/People), Circle Theatre (This Random World), Theatre Three (Susan and God), Theatre Arlington (Ripcord), and three seasons with the Trinity Shakespeare Festival, as well as Wishing Star Productions’ national tour of Rudolph, the Red-Nosed Reindeer the Musical. He graduated from Texas Christian University with his B.F.A. in Theatre with an emphasis in Musical Theatre and is a proud Horned Frog. He would like to thank his family for their love and belief, his friends for all their support, and everyone at ASP.

Kaitlin Hatton is excited to be working with Amphibian Stage again! Recent stage management includes What The Constitution Means to Me, Sherlock Holmes, Marjorie Prime, Handle With Care, Between Riverside and Crazy, Witch, On The Exhale (Stage West), Handless King, Baba, Spaceman, The Hollow, Egress, Hans & Sophie, She-Wolf, Gutenberg! The Musical!, Babette’s Feast, Lonely Planet, and Artist Descending A Staircase (Amphibian Stage Productions), I’m Proud of You, The Other Josh Cohen, Tiny Beautiful Things (Circle Theatre). Recent props designs include Little Women, La Boheme, La Medium (FW Opera), The Persians (Undermain Theatre), Ann (WaterTower Theatre), Instructions for a Seance, Baba, Spaceman, Marie Antoinette (Amphibian Stage Productions), Kodachrome, Fences, Young Frankenstein, An Empty Plate in the Cafe du Grand Boeuf, The Glass Menagerie, The Last Wide Open, and One Man, Two Guvnors (Circle Theatre). Kaitlin holds a BFA in Theatre – Design and Technology from Texas Wesleyan University and teaches Stage Management there. She is a member of Actors’ Equity Association and received the 2019 Live Theatre League Bill Garber Young Artist Award.

David Lanza has been sound designing in DFW for some time now, is excited to still be sound designing, and looks forward to sound designing more in the future.  He also loves the Phibs always and forever.  Pro-tip: eat half of your cookie now, and save the other half for a late night snack after the show.  Follow David Lanza Audio on Facebook or go to www.DavidLanzaAudio.com to learn more.  Or look up my LiveJournal I had in high school. Love to Nikki, Maggie, Peter, and the Oxford comma.

Actor/Writer/Director; AEA/SAG member; U.S. Army ’86-’93 – Medic and Infantry Officer. Stephan left a career in the military for a life in the theatre after seeing a production of Shakespeare’s Richard III. Stephan received his Master of Fine Arts degree from Trinity Rep Conservatory. Stephan created the military segments for Twyla Tharp and Billy Joel’s Tony Award-winning Movin’ Out.

Stephan is the founder of DE-CRUIT, a program he designed after examining Shakespeare from a military veteran’s perspective, working with fellow military veterans and scientists, and using Shakespeare’s text and classical actor training to heal trauma. For his work with DE-CRUIT he is the recipient of the Aaron Stein Award presented by The American Group Psychotherapy Association, the Max Gabriel Memorial Award presented by National Alliance for Mental Illness, Berkshire Theater Awards for his one-man play Cry Havoc! among many others.

Stephan is the Head of Outreach at Bedlam Theater NYC, and an advisory member of PACH, Project for the Advancement of our Common Humanity at NYU.

DAWN STERN is an actor, playwrite, and COO of DE-CRUIT, a non-profit that treats trauma through Shakespeare and Science.  DE-CRUIT has partnered with Amphibian Stage to deliver workshops, clinics, presentations, and performances with veterans in Fort Worth including Tarrant County Vet Court.

Dawn oversees development, on-site residencies, key notes, clinics, and day to day operations of DE-CRUIT.  She earned her B.S. in Theatre Performance from Southern Illinois University at Edwardsville (SIU-E) and has been a proud Equity member since 1987.  Early in her career she worked in St. Louis and Chicago where she earned her AFTRA, AEA, and SAG union cards.

Dawn moved to Los Angeles in 1996 where she began a seventeen-year television acting career which includes six pilots, three series regular shows, and over twenty-five guest star appearances. Her highlights include a series regular role on: Viper, 413 Hope Street, Starhunter, and Nobody plus a recurring role on the Young and the Restless.

Notable guest star appearances include: Star Trek: Enterprise, Ally McBeal, Profiler, Beverly Hills 90210, and True Blood.  Dawn has worked with Damon Wayans on My Wife and Kids, Steve Harvey on the Steve Harvey Show, Wanda Sykes on Wanda at Large and Monique on The Parkers. Her film credits include: The Fugitive and Original Gangstas.

On the professional stage, some of Dawn’s favorite roles have been: Lady Macbeth in Macbeth, Kate in Taming of the Shrew, Olivia in Twelfth Night, Paulina in A Winter’s Tale, Goneril in King Lear and Margaret in an adaptation she co-wrote with her husband (Stephan Wolfert) called She-Wolf which had its World Premiere at Amphibian Stage.

Off stage she is a member of IDEA (Inclusion, Diversity, Equity & Accessibility) and represents BIPOC membership on the Education Conference Planning Committee for STA (Shakespeare Theaters Association.

James Edward Becton, a United States Army Veteran, holds a BFA from Niagara University and is a product of training from Stella Adler, Matthew Corozine Studio and Shakespeare & Co. of Lenox, MA. James Edward, an alumni of Stephan Wolferts’ DE-CRUIT has recently called Amphibian home as Actor 2/The First Duke of Suffolk in the world premiere of She-Wolf and is happy to be considered a new family member.

Actor/Writer/Director; AEA/SAG member; U.S. Army ’86-’93 – Medic and Infantry Officer. Stephan left a career in the military for a life in the theatre after seeing a production of Shakespeare’s Richard III. Stephan received his Master of Fine Arts degree from Trinity Rep Conservatory. Stephan created the military segments for Twyla Tharp and Billy Joel’s Tony Award-winning Movin’ Out.

Stephan is the founder of DE-CRUIT, a program he designed after examining Shakespeare from a military veteran’s perspective, working with fellow military veterans and scientists, and using Shakespeare’s text and classical actor training to heal trauma. For his work with DE-CRUIT he is the recipient of the Aaron Stein Award presented by The American Group Psychotherapy Association, the Max Gabriel Memorial Award presented by National Alliance for Mental Illness, Berkshire Theater Awards for his one-man play Cry Havoc! among many others.

Stephan is the Head of Outreach at Bedlam Theater NYC, and an advisory member of PACH, Project for the Advancement of our Common Humanity at NYU.

DAWN STERN is an actor, playwrite, and COO of DE-CRUIT, a non-profit that treats trauma through Shakespeare and Science.  DE-CRUIT has partnered with Amphibian Stage to deliver workshops, clinics, presentations, and performances with veterans in Fort Worth including Tarrant County Vet Court.

Dawn oversees development, on-site residencies, key notes, clinics, and day to day operations of DE-CRUIT.  She earned her B.S. in Theatre Performance from Southern Illinois University at Edwardsville (SIU-E) and has been a proud Equity member since 1987.  Early in her career she worked in St. Louis and Chicago where she earned her AFTRA, AEA, and SAG union cards.

Dawn moved to Los Angeles in 1996 where she began a seventeen-year television acting career which includes six pilots, three series regular shows, and over twenty-five guest star appearances. Her highlights include a series regular role on: Viper, 413 Hope Street, Starhunter, and Nobody plus a recurring role on the Young and the Restless.

Notable guest star appearances include: Star Trek: Enterprise, Ally McBeal, Profiler, Beverly Hills 90210, and True Blood.  Dawn has worked with Damon Wayans on My Wife and Kids, Steve Harvey on the Steve Harvey Show, Wanda Sykes on Wanda at Large and Monique on The Parkers. Her film credits include: The Fugitive and Original Gangstas.

On the professional stage, some of Dawn’s favorite roles have been: Lady Macbeth in Macbeth, Kate in Taming of the Shrew, Olivia in Twelfth Night, Paulina in A Winter’s Tale, Goneril in King Lear and Margaret in an adaptation she co-wrote with her husband (Stephan Wolfert) called She-Wolf which had its World Premiere at Amphibian Stage.

Off stage she is a member of IDEA (Inclusion, Diversity, Equity & Accessibility) and represents BIPOC membership on the Education Conference Planning Committee for STA (Shakespeare Theaters Association.

Kaitlin Hatton is excited to be working with Amphibian Stage again! Recent stage management includes What The Constitution Means to Me, Sherlock Holmes, Marjorie Prime, Handle With Care, Between Riverside and Crazy, Witch, On The Exhale (Stage West), Handless King, Baba, Spaceman, The Hollow, Egress, Hans & Sophie, She-Wolf, Gutenberg! The Musical!, Babette’s Feast, Lonely Planet, and Artist Descending A Staircase (Amphibian Stage Productions), I’m Proud of You, The Other Josh Cohen, Tiny Beautiful Things (Circle Theatre). Recent props designs include Little Women, La Boheme, La Medium (FW Opera), The Persians (Undermain Theatre), Ann (WaterTower Theatre), Instructions for a Seance, Baba, Spaceman, Marie Antoinette (Amphibian Stage Productions), Kodachrome, Fences, Young Frankenstein, An Empty Plate in the Cafe du Grand Boeuf, The Glass Menagerie, The Last Wide Open, and One Man, Two Guvnors (Circle Theatre). Kaitlin holds a BFA in Theatre – Design and Technology from Texas Wesleyan University and teaches Stage Management there. She is a member of Actors’ Equity Association and received the 2019 Live Theatre League Bill Garber Young Artist Award.

Born and raised in Mexico City, Kathleen is the Founding Artistic Director of Amphibian Stage, where she has produced over 100 plays in Fort Worth and New York – most of them world, US, or regional premieres. She has taught Screenwriting and Stage Makeup at Texas Christian University and proudly serves on the board of the Women’s Policy Forum. Also a playwright, Kathleen is the author of La Llorona, which premiered off-Broadway at Theatre Row in a production by Stageplays Theatre Company in 2007 and which has received productions around the country. A Leopard Complains of Its Spots premiered at the Pantheon Theatre in New York in 2001 with an extended run. Her play Smart Pretty Funny premiered at Amphibian Stage in 2016 and has since been produced in Australia and at other venues in the US.

David Lanza has been sound designing in DFW for some time now, is excited to still be sound designing, and looks forward to sound designing more in the future.  He also loves the Phibs always and forever.  Pro-tip: eat half of your cookie now, and save the other half for a late night snack after the show.  Follow David Lanza Audio on Facebook or go to www.DavidLanzaAudio.com to learn more.  Or look up my LiveJournal I had in high school. Love to Nikki, Maggie, Peter, and the Oxford comma.

Adam Chamberlin (Lighting Designer) is thrilled to be returning to Amphibian Stage Productions. He is the managing director of theatre production and associate professor of lighting and sound design for the Department of Dance and Theatre at the University of North Texas. Previously, he has taught as an assistant professor for the dance department at Virginia Commonwealth University. He is currently serving on the Leadership of the Lighting Commission for the United States Institute for Theatre Technology as awards coordinator and poster session co-coordinator. Previously, he has held the positions of vice-commissioner of special projects and light lab designer. He has designed lighting for companies including The Latin Ballet of Virginia, Shakespeare Dallas, Oklahoma City Rep., One World Theatre, Stage West, K-Dance, Kitchen Dog, and WaterTower Theatre. He was a founding member of Dysfunctional Theatre Company in NYC and Amaranth Contemporary Dance in Richmond, VA. In addition, he is a founding member of the Beyond the Sock Puppetry. He holds an MFA in theatrical design from the University of Texas at Austin.

Jeff Stanfield is a graduate of Texas Christian University. After spending eight and a half seasons with Dallas Children’s Theater, he is pleased to have returned to Fort Worth with Amphibian Stage. You may have seen him on stage under the open Texas sky at the Hip Pocket Theatre in such productions as Love Letters to a Raven, Loop the Loop, In Watermelon Sugar, The Lake Worth Monster and Don Quixote.

Kelsey Milbourn (AEA) is a KS native and TCU graduate with a BFA in musical theatre and independent study in modern dance. Kelsey is adjunct faculty for the BFA theatre program at TCU and is an actor and dance/fight/intimacy choreographer in the DFW area as well as a stilts instructor for Amphibians Tadpoles for 4 years. Some of their recent acting and choreo work includes projects at Stage West, Circle Theatre, DTC, Undermain Theatre, Amphibian Stage Productions, WaterTower, Danspiek NYC, and Cape Fear Regional. They’ve been an artistic associate of the Trinity Shakespeare Festival for a decade and a proud recipient of the Tarrant County Theatre League award.

Mitchell Stephens is an actor, choreographer and movement artist based in DFW. Mitchell is happy to be back at Amphibian after working on She Wolf, Cyrano, Herschel and the Hanukkah Goblins. Mitchell’s work spans the country and all over the metroplex. Recent Credits include Curious Incident of the Dog in the Night, The Great Distance Home, Silent Sky, Lord of the Flies (WaterTower Theatre), Reykjavík (Kitchen Dog Theatre) La Maupin: The French Abomination, Everything will be Fine (Prism Movement Theatre). Mitchell is a proud facilitator for De-Cruit, using Shakespeare to treat Post Traumatic Stress and specializes in incarcerated veterans with Amphibian.

Illana Stein (she/her) is a NYC-based director, originally from Fort Worth. Amphibian credits include Director/Co-writer (with Deborah Yarchun and Sean Hudock) on Hans & Sophie (five DFW Critic Awards including Outstanding Director and Outstanding New Play) and A Lost Leonardo. She recently directed Handle with Care (Stage West). NYC Directing credits: Julius Caesar Tour (HVSF), NYU (Tisch, Stella Adler, Strasberg) Associate/Asst. credits: TFANA, Signature, Pearl, OSF, Yale Rep, A.R.T., Hangar Theater, Cincy Playhouse, Cincinnati Shakespeare Company. Drama League First Stage Residency, LCT Directors Lab, AJT Theatremacher Program Director, JPP Artistic Producer, and League of Professional Theatre Women Board. illanastein.com 

Hannah Valdovinos is so happy to be working on this show with Amphibian! Acting credits include Our Town (DTC), The True History… of Julia Pastrana (Amphibian Stage), In the Heights (Firehouse Theater), West Side Story (Stolen Shakespeare Guild), Summer and Smoke (Classics Theatre Project), and Romeo & Juliet/Twelfth Night (Trinity Shakespeare Festival). She also works as a costume designer in the area, most recently for Witch and Lifespan of a Fact (Stage West), & is a graduate of TCU with her BFA in Acting.

JR is grateful to make his debut with Amphibian Stage. Mr. Bradford has performed on numerous stages in the DFW market such as Theatre Three, Bishop Arts Theatre Center, Teatro Dallas, Imprint Theatreworks, and was last seen in Jubilee Theatre’s production of “To Be Young, Gifted, and Black”.

Jovane is immensely grateful to be working with Amphibian Stage again in order to bring this story to life. He has previously appeared on stage at Amphibian as Doug Simon in Gutenberg! The Musical!. Other regional theatres he’s worked with include the Danielle Georgiou Dance Group (The Savage Seconds), Undermain Theatre (Red Chariot; Lady from the Sea), Stage West (Everybody), Second Thought Theatre (Enemies/People), Circle Theatre (This Random World), Theatre Three (Susan and God), Theatre Arlington (Ripcord), and three seasons with the Trinity Shakespeare Festival, as well as Wishing Star Productions’ national tour of Rudolph, the Red-Nosed Reindeer the Musical. He graduated from Texas Christian University with his B.F.A. in Theatre with an emphasis in Musical Theatre and is a proud Horned Frog. He would like to thank his family for their love and belief, his friends for all their support, and everyone at ASP.

Felicia Bertch is pleased to return to Amphibian having most recently performed with the ensemble of Julia Pastrana. She received her MFA in Acting at the University of South Carolina and studied physical theatre arts in Paris at L’Ecole Internationale de Theatre Jacques LeCoq as well as in NYC, Philadelphia, Chicago, and Italy. Felicia has lived and worked professionally as an actor, clown, and model all over the country and abroad. She has taught, directed, devised, and choreographed at various institutions and theaters nationally and internationally, including Wheaton College, The University of South Carolina, The University of Chicago, Columbia College, and in Tanzania, East Africa. Felicia is currently on faculty and the Head of the BFA Acting Program at the University of Texas at Arlington. She continues to work as a professional theatre artist and model in the DFW and Chicago areas. She is represented by Kim Dawson Agency here in DFW and Lori Lins in Chicago.

Mitchell Stephens is an actor, choreographer and movement artist based in DFW. Mitchell is happy to be back at Amphibian after working on She Wolf, Cyrano, Herschel and the Hanukkah Goblins. Mitchell’s work spans the country and all over the metroplex. Recent Credits include Curious Incident of the Dog in the Night, The Great Distance Home, Silent Sky, Lord of the Flies (WaterTower Theatre), Reykjavík (Kitchen Dog Theatre) La Maupin: The French Abomination, Everything will be Fine (Prism Movement Theatre). Mitchell is a proud facilitator for De-Cruit, using Shakespeare to treat Post Traumatic Stress and specializes in incarcerated veterans with Amphibian.

Jonathan was born and raised in Fort Worth, TX. He went to TCU for his undergraduate degree. He has worked as a performer on many Amphibian shows including: Vigil, La Llorona, Below the Belt, and Leonce and Lena as well as the 2003 national premiere of The True History of…Julia Pastrana… Jonathan’s directing credits for Amphibian include Northside Hollow, Artist Descending a Staircase, and The True History of…Julia Pastrana, remounted in 2012. Broadway credits include The Play that Goes Wrong (also National Tour), Noises Off, Pygmalion with Roundabout Theatre Company, and The Seagull at the Walter Kerr. Jonathan has worked regionally at The Old Globe, Ford’s Theater, Penguin Rep, and the Harbor Stage Company: a company he helped found in 2012. On television he has appeared on “Law and Order: SVU” (NBC), “Castle Rock” (Hulu) and “Gotham” (FOX). He holds his his Masters Degree from Mason Gross School of the Arts at Rutgers University.

David Lanza has been sound designing in DFW for some time now, is excited to still be sound designing, and looks forward to sound designing more in the future.  He also loves the Phibs always and forever.  Pro-tip: eat half of your cookie now, and save the other half for a late night snack after the show.  Follow David Lanza Audio on Facebook or go to www.DavidLanzaAudio.com to learn more.  Or look up my LiveJournal I had in high school. Love to Nikki, Maggie, Peter, and the Oxford comma.

Shaun is a British actor and writer well known to UK audiences for his many TV and film roles and his work with Sir Kenneth Branagh’s Renaissance Theatre Co.

His first TV role, playing the lead in Kay Mellor’s “Place of Safety,” won a New York Critic’s Circle award. Film roles include Peterloo, I Daniel Blake, Mary Shelley’s Frankenstein, and Henry V.

In 2019 he played Old Joe in the London West End Premiere of Waitress with Kat Mcphee and Jack McBrayer, and before lockdown he completed filming on the upcoming BBC series “Industry.”

Shaun has written over thirty TV shows, a hundred audio plays, twenty stage plays, and more than a dozen film scripts. He encountered the story of Julia Pastrana as a student but it took twenty years to find a format that would work. He has been the winner of a SONY AWARD (“Travellin’ Light,” BBC ), The ALMOST FREE NAFTALI YAVIN Award, (“Potter’s Wheel”), and a TIME OUT Award (Little Victories). His first novel, a comedy thriller called Benny Blue Eyes was published during lockdown and now has a five-star rating on Kindle.

John Rapson is an actor, singer and writer who has performed on stages and screens across the world. In New York, John performed as Grantaire, Javert and Thenardier in the original Broadway cast of the recent revival of Les Miserables as well as playing Beadle Bamford (and eventually the title role of Sweeney Todd himself) in Barrow Street Theatre’s acclaimed immersive Sweeney Todd: The Demon Barber of Fleet Street. John is perhaps best known for originating the role of The D’Ysquith family on the first national tour of A Gentleman’s Guide to Love and Murder, leading the company by playing 8 different members of a vile and hilarious family (IRNE Award winner). John is currently playing a leading role in Between the Lines (adapted by New York Times bestselling author Jodi Picoult and based on her own novel) at New York’s acclaimed Second Stage theatre. Other theatrical credits include work at regional theaters all over North America: The Tale of Despereaux (Roscuro) at Berkeley Repertory Theatre, The Drowsy Chaperone (Aldolpho) at the Goodspeed Opera House, Oklahoma! (Jud) at Broadway Sacramento, Camelot (Mordred) and Grand Horizons (Ben) at the Asolo Repertory Theatre, The Play That Goes Wrong (Robert) at St. Louis Rep, and several tours of Japan with the Tokyo Philharmonic as the featured soloist of Disney on Classic playing a rogues gallery of Disney Villains. During 2020, John was immensely proud to work with Jefferson Mays and Michael Arden to help bring their tour-de-force one man adaptation of A Christmas Carol to thrilling life on film, serving as a standby and scene partner for Mays throughout the filming of one of the only productions to take place on a New York stage in the past year. John has appeared on “The Blacklist” as well as “The Tony Awards”, “Good Morning America” and “America’s Got Talent” with various companies of Broadway and touring shows throughout the years. John is represented by CGF and has recently partnered with the exciting startup “Empowering the Artist” to work with young performers all across the country. John is a proud graduate of the University of Michigan. @jrrapson

Allison Pistorius is thrilled to make her Amphibian debut. LORT credits in Dallas and beyond include Constellations with TheaterWorks Hartford; Constellations, Clybourne Park, Sense and Sensibility, and The Wolves with the Dallas Theater Center; A Midsummer Night’s Dream, Othello, The House of the Spirits, When We Are Married, and A Christmas Carol with the Denver Center Theatre Company.  In the Dallas/Fort Worth area, she has worked at Stage West, Circle Theatre, Trinity Shakespeare Festival, Shakespeare Dallas, Second Thought Theatre, Theatre Three, and WaterTower Theatre, receiving multiple D/FW Critics Forum Awards for her work.

Also a passionate theatre educator, Allison has taught acting at SMU, UNT, and Booker T. Washington High School for the Performing and Visual Arts, and she will be joining the faculty at the University of Houston as an Assistant Professor of Acting in the Fall.

Mitchell Stephens is an actor, choreographer and movement artist based in DFW. Mitchell is happy to be back at Amphibian after working on She Wolf, Cyrano, Herschel and the Hanukkah Goblins. Mitchell’s work spans the country and all over the metroplex. Recent Credits include Curious Incident of the Dog in the Night, The Great Distance Home, Silent Sky, Lord of the Flies (WaterTower Theatre), Reykjavík (Kitchen Dog Theatre) La Maupin: The French Abomination, Everything will be Fine (Prism Movement Theatre). Mitchell is a proud facilitator for De-Cruit, using Shakespeare to treat Post Traumatic Stress and specializes in incarcerated veterans with Amphibian.

Felicia Bertch is pleased to return to Amphibian having most recently performed with the ensemble of Julia Pastrana. She received her MFA in Acting at the University of South Carolina and studied physical theatre arts in Paris at L’Ecole Internationale de Theatre Jacques LeCoq as well as in NYC, Philadelphia, Chicago, and Italy. Felicia has lived and worked professionally as an actor, clown, and model all over the country and abroad. She has taught, directed, devised, and choreographed at various institutions and theaters nationally and internationally, including Wheaton College, The University of South Carolina, The University of Chicago, Columbia College, and in Tanzania, East Africa. Felicia is currently on faculty and the Head of the BFA Acting Program at the University of Texas at Arlington. She continues to work as a professional theatre artist and model in the DFW and Chicago areas. She is represented by Kim Dawson Agency here in DFW and Lori Lins in Chicago.

Monalisa Amidar is delighted to be making her Amphibian debut. She recently appeared in The Lion, the Witch and the Wardrobe at Dallas Children’s Theater and worked with IMPRINT Theatreworks and Shakespeare Dallas. She holds an M.A. in Visual & Performing Arts from UT Dallas and a B.A. in Theatre from Pepperdine University. Monalisa is represented by Kim Dawson Agency.

Credits at Amphibian Stage include: Northside Hollow, A Lost Leonardo. Some credits DFW include: How is it that We Live or Shakey Jake + Alice, Madame Bovary at Undermain Theatre, Quixote at Shakespeare Dallas, Our Town at Circle Theatre, Holmes and Watson at Stage West. Washington DC credits include: Edge of the Universe Players II: Entertaining Mr. Sloane; Shakespeare Theatre: Tartuffe U/S, Tempest U/S Appeared; Taffety Punk: Hamlet, Constellation Theatre:  36 Views, Gilgamesh, Zorro, Ramayana; Forum Theatre; The Pillowman, Angels in America I and II, The Last Days of Judas Iscariot, Mad Forest; Theatre J: Born Guilty, Our Suburb; WSC Avant Bard: Night and Day, Royal Hunt of the Sun, The Bacchae, Lady Chatterley’s Lover; Folger Theatre: Much Ado About Nothing; Keegan Theatre:  Buried Child; Scena Theatre: Hedda Gabler;  Fountainhead Theatre: Fit to be Tied, Betrayal. Training: Southern Methodist University’s MFA Acting.

Telvin Griffin was born and raised in Texarkana, Arkansas. Growing up education has always been the number one priority that his parents instilled in him. He’s always had a microphone in his hand whether it be talking to imaginary audiences at home pretending to be late night hosts or pretending to be preacher, which was truly the beginning of this becoming a natural for him. Griffin grew up in church playing the piano and saxophone during his time in the middle school and junior high bands. While attending high school, Telvin learned how to speak in front of a camera, being selected as the school’s news anchor for morning announcements. After graduating high school he attended the University of Arkansas in Fayetteville, Arkansas, to study broadcast journalism where he was also on the football team as a walk-on wide receiver for three seasons. After graduating college he started working with his first agent in Dallas, Texas, so he could be closer to more acting opportunities, which proved to be a great decision. In just the short span of his career so far, Telvin has booked many national commercials and television projects including a national Dodge Ram and Wing Stop campaign currently running, the hit CW series Dynasty, Fox’s Deputy, and the Emmy-Award-Winning ABC comedy Black-ish. Telvin’s latest film, Babylon (Paramount Studios) starring Brad Pitt, Margot Robbie, and Eric Roberts to name of a few and directed by Academy Award winning director Damien Chazelle (La La Land), will be limited released December 25^th, 2022 and wide released January 6^th, 2023. Griffin’s goal and purpose in life is to inspire others no matter what their calling in life might be. One strongly held belief is if you just stick to your dreams and goals, with hard work and consistency and waiting on God, all will come to fruition.

Evan is a Fort Worth-based actor, photographer, and designer. His work has been seen at the Dallas Theater Center, Second Thought Theatre, Undermain Theatre, Stage West Theatre, Trinity Shakespeare Festival, Amphibian Stage, and more. Evan holds a BFA in Acting from Texas Christian University. Evan is represented by the Kim Dawson Agency.

Acting credits include productions at Stage West Theatre, WaterTower Theatre, Stages Repertory Theatre, Trinity Shakespeare Festival, Amphibian Stage, Uptown Players, Second Thought Theatre, Theatre Three, Undermain Theatre, Shakespeare Dallas, Kitchen Dog Theater, and RADA among others. He has directed Jacob Marley’s Christmas Carol, Hir, Like a Billion Likes, The Nether, Deer, Mr. Burns a post-electric play, International Falls, and Orlando, all for Stage West, as well as Bright Half Life for WaterTower Theatre and The Moors for Theatre Three. He also works as a voice actor with FUNimation. Garret has a BFA in Musical Theatre from Sam Houston State University.

Nicholas Reed is thrilled to make his debut at Amphibian Stage. Nicholas, a Fort Worth native, fell in love with the stage at age 5 and has been performing ever since. Recently, Nicholas has returned from his second National Broadway tour in A Christmas Story – The Musical as Randy, his first was Finding Neverland as Michael Llewelyn-Davies.

Francisco Grifaldo was born in Mexico City. He has always aspired to share his unique story and experiences through his acting. Francisco graduated from the University of Texas at Arlington with a Bachelor in Fine Arts, specializing in performance. This is Francisco’s first regional theater role and could not be more grateful to be a part of this cast. Some of his favorite roles include playing Bernardo from West Side Story, Sam from Grace, and Charlie Cowell from The Music Man. His most recent work is starring as Juancho, in a new A24 produced Netflix show called Mo, which will begin streaming August 24th so be on the lookout!

Brock Huerter is an actor, singer, and dancer stationed in the DFW metroplex. He got most of his training from the University of Texas at Arlington where he received a Bachelor of Fine Arts degree in Musical Theatre. Though he found theatre later in his life, he has been given many opportunities to play roles such as Younger Brother in Ragtime, as well as Franklin Hart Jr. in 9 to 5 throughout his years at UTA. He is also trained in, and seeking interest in, Camera and Shakespeare work though singing on stage will always feel like his home.

Hannah Valdovinos is so happy to be working on this show with Amphibian! Acting credits include Our Town (DTC), The True History… of Julia Pastrana (Amphibian Stage), In the Heights (Firehouse Theater), West Side Story (Stolen Shakespeare Guild), Summer and Smoke (Classics Theatre Project), and Romeo & Juliet/Twelfth Night (Trinity Shakespeare Festival). She also works as a costume designer in the area, most recently for Witch and Lifespan of a Fact (Stage West), & is a graduate of TCU with her BFA in Acting.

Jay Duffer directed The Bible: The Complete Word of God (abridged) for Amphibian both in 2014 and 2017, and Babbette’s Feast in 2019. He will direct Marie Antoinette in our 2022 season. Past Amphibian acting credits include Wittenberg, The Nosemaker’s Apprentice, The Mystery of Irma Vep and the workshop production of David Davalos’ Daedalus (Retitled A Lost Leonardo). He has professional acting and directing credits spanning several decades and has performed in theatres from Off-Broadway, to regional theatres, to productions overseas. Jay has been involved in new works and script development with Threads Theatre Company (serving as a Founding Member and the Executive Director of New Works), Pulse Ensemble Theatre, Manhattan Theatre Source, Kaleidoscope Theatre Company, Fort Wayne Civic Theatre and Brooklyn based The Artful Conspirators. His play, Asleep in the Arms of God, received its world premiere in November 2017 at the Box Theatre in Riverside, CA produced by New Threads Productions (CA). His play, Big Girl, Little World premiered at the New York International Fringe Festival. His latest play, naked, was included in Amphibian’s inaugural SPARKFEST in the summer of 2021. Prior to joining Amphibian as Managing Director, Jay was Associate Professor of Theatre and Department Chair at Huntington University in Indiana. At HU, he directed a wide variety of approximately 50 plays and musicals while heading the theatre program. Jay currently teaches Directing for the Department of Theatre and Dance at the University of Texas Arlington. He is a member of Actors Equity Association and is an Associate Member of the Stage Directors and Choreographers Society.

Brian Clinnin is a Scenic Artist, a Designer, and a Professor of Theatre Design & Technology at Texas Christian University. His recent credits include Shakespeare in Love, Misalliance, The Tempest (The Shakespeare Theatre of New Jersey), Eliot- A Soldier’s Fugue (Water Tower Theatre), Julius Caesar, The Merchant of Venice, Macbeth, Hamlet, and Romeo and Juliet (Trinity Shakespeare Festival), Company and Home (Jubilee Theatre), Stupid F-ing Bird (Stage West) and Picasso at The Lapin Agile (Circle Theatre). Prior to this, he worked at Chicago Scenic Studios, creating scenery for projects such as ABC-7 Chicago State Street Studio Set, CBS Sports Set, Late Night With Conan O’Brien, The Oprah Winfrey Show, The Chicago Field Museum, and The Adler Planetarium. He has trained at the University of Illinois, The Art Institute of Chicago, and The University of Kansas, from which he holds a BFA in Illustration and an MFA with honors in Scenography. To view work, please visit www.clinnin.com.

Born in Mexico City, Laura Anderson Barbata is a Mexican transdisciplinary artist currently based in New York and Mexico City. Since 1992 has initiated long-term projects and collaborations in the Venezuelan Amazon, Trinidad and Tobago, Mexico, Norway, and the United States that address social justice and the environment. Her work often combines performance, procession, dance, music, spoken word, textile arts, costuming, papermaking, zines and protest.
Her work is in various private and public collections, including the Metropolitan Museum of Art, New York; el Museo de Arte Moderno, México D.F.; and Thyssen-Bornemisza Art Contemporary. Recipient of the Anonymous Was a Woman Award; grants from FONCA Mexico; Mario Trujillo García Defense for Human Rights Award, Mexico; Rockefeller Bellagio Artist in Residence, among others.

Her work for theater includes Leonce and Lena, 2002, Amphibian Stage; The Qyixotic Days and Errants Nights of the Knight Errant Don Quijote, 2015, Amphibian Stage; Companionship, 2019, Forth Worth Opera; and Marie Antoinette, 2022, Amphibian Stage.

Laura Anderson Barbata teaches at MIT/Art, Culture and Technology program in Cambridge, and is Honorary Fellow of the Latin American, Caribbean and Iberian Studies LACIS Program. University of Wisconsin, Madison. She is currently on the Board of Directors of the College Art Association where she also serves as VP for Diversity and Inclusion.

David Lanza has been sound designing in DFW for some time now, is excited to still be sound designing, and looks forward to sound designing more in the future.  He also loves the Phibs always and forever.  Pro-tip: eat half of your cookie now, and save the other half for a late night snack after the show.  Follow David Lanza Audio on Facebook or go to www.DavidLanzaAudio.com to learn more.  Or look up my LiveJournal I had in high school. Love to Nikki, Maggie, Peter, and the Oxford comma.

Adam Chamberlin (Lighting Designer) is thrilled to be returning to Amphibian Stage Productions. He is the managing director of theatre production and associate professor of lighting and sound design for the Department of Dance and Theatre at the University of North Texas. Previously, he has taught as an assistant professor for the dance department at Virginia Commonwealth University. He is currently serving on the Leadership of the Lighting Commission for the United States Institute for Theatre Technology as awards coordinator and poster session co-coordinator. Previously, he has held the positions of vice-commissioner of special projects and light lab designer. He has designed lighting for companies including The Latin Ballet of Virginia, Shakespeare Dallas, Oklahoma City Rep., One World Theatre, Stage West, K-Dance, Kitchen Dog, and WaterTower Theatre. He was a founding member of Dysfunctional Theatre Company in NYC and Amaranth Contemporary Dance in Richmond, VA. In addition, he is a founding member of the Beyond the Sock Puppetry. He holds an MFA in theatrical design from the University of Texas at Austin.

Philip Vilar, a New York native, is a creative designer specializing in lighting and media design for live entertainment. They graduated from Meadows School of the Arts at SMU in Dallas, TX where they earned a Master of Fine Arts in Stage Design and now is the Director of Technical Theatre at Dallas Independent School District. Some recent projects they have done are projection designs for The Laramet Project as a guest designer for Baylor University, Church and State at Stage West Theatre; Lighting and projection design for Overbooked at Prism Theatre Company; Lighting Design for The Immigrant at Theatre Three.  

Kaitlin Hatton is excited to be working with Amphibian Stage again! Recent stage management includes What The Constitution Means to Me, Sherlock Holmes, Marjorie Prime, Handle With Care, Between Riverside and Crazy, Witch, On The Exhale (Stage West), Handless King, Baba, Spaceman, The Hollow, Egress, Hans & Sophie, She-Wolf, Gutenberg! The Musical!, Babette’s Feast, Lonely Planet, and Artist Descending A Staircase (Amphibian Stage Productions), I’m Proud of You, The Other Josh Cohen, Tiny Beautiful Things (Circle Theatre). Recent props designs include Little Women, La Boheme, La Medium (FW Opera), The Persians (Undermain Theatre), Ann (WaterTower Theatre), Instructions for a Seance, Baba, Spaceman, Marie Antoinette (Amphibian Stage Productions), Kodachrome, Fences, Young Frankenstein, An Empty Plate in the Cafe du Grand Boeuf, The Glass Menagerie, The Last Wide Open, and One Man, Two Guvnors (Circle Theatre). Kaitlin holds a BFA in Theatre – Design and Technology from Texas Wesleyan University and teaches Stage Management there. She is a member of Actors’ Equity Association and received the 2019 Live Theatre League Bill Garber Young Artist Award.

Elaine Cox is the Associate Director of Development and Resident Dramaturg at Cincinnati Shakespeare Company in Cincinnati, Ohio. She also teaches Arts Administration at the University of Cincinnati, College Conservatory of Music. She is excited the be back at Amphibian Stage after working as Dramaturg on Jay Duffer’s play, naked, as part of Spark Fest 2021.

In addition to teaching Acting and Voice & Speech at Western Washington University, and previously at New York University, Evan is a professional actor, director and voice coach who has been seen on stage and screen both regionally and in New York City. Evan was a co-founder and Artistic Associate of New York’s Strange Sun Theater and is currently the Artistic Director of American Theater Northwest in Bellingham, Washington.  Some of his most exciting recent productions have been Vocal Coaching for Rosalind Reynolds’ series of new works with the IDioM Theatre Company, directing the premiere production of J Chavez’s how to clean your room (and remember all your trauma), and acting in the new play Just Once with Bellingham TheatreWorks.  Evan is thrilled to be back in Fort Worth with Amphibia, after working with the ‘Phibs in productions of The True History of…Julia Pastrana, the Ugliest Woman in the World; Animals Out of Paper; This is How it Goes; Miss Witherspoon; A Leopard Complains of Its Spots; The First Day of School; Fully Committed; and Below the Belt.  

Matthieu M worked as a graphic designer for more than 10 years before deciding to reconnect himself with craftsmanship. Now working as a fashion designer in New York City, he has launched an Atemporal Ready-To-Wear Collection for women. “Matthieu M” is a high-end sustainable brand made of candid reaffirmed lines and very subtle colors in a sleek style. All garments are made in NYC in a very limited-edition. For the last four years, Matthieu has collaborated on numerous projects with Laura Anderson Barbata and is happy to continue that collaboration on Marie Antoinette with Amphibian Stage.

Jeff Stanfield is a graduate of Texas Christian University. After spending eight and a half seasons with Dallas Children’s Theater, he is pleased to have returned to Fort Worth with Amphibian Stage. You may have seen him on stage under the open Texas sky at the Hip Pocket Theatre in such productions as Love Letters to a Raven, Loop the Loop, In Watermelon Sugar, The Lake Worth Monster and Don Quixote.

Ashley Oliver is a Designer, Actor, and Director from Arlington, TX. This is her first time working with Amphibian Stage and is grateful for the opportunity. She holds a BA in Drama from Prairie View A&M University and has been working in theaters around Dallas/ Fort Worth for 15 years. She has worked on such shows as Cake Ladies, Little Women, Ann, Fetch Clay Make Man (Dallas Theater Center), Amazing Grace, Hurt Village, Dot, Do No Harm (Soul Rep Theatre), Bootycandy, Mr. Burns Post-Electric Play, Deer (Stage West), Shakin the Mess Outta Misery, Flight (Jubilee Theater) and Erykah Badu’s One (Hu)man show (TBAAL) and many other shows.  “A word equal a thought, a thought an idea, an idea an action, an action can change the world.”-Claude McKay

Landry Strickland is a BFA graduate of Oklahoma City University. He is currently a freelance lighting designer and electrician in the DFW Area. Past credits include lighting supervisor for the Flamenco Vivo Carlota Santana: De La Frontera tour, assistant lighting designer for Public Works Dallas: Odyssey, and electrician for the Oklahoma City Ballet, Dallas Theater Center, Dallas Children’s Theater, Uptown Players, Diversified Media Group, Lighting Guy Enterprises, Zero Productions, and Wylie ISD.

Lauren Harrison is an aspiring actress and director from Grand Prairie, TX. She is currently a Junior B.F.A. Acting major with a double minor in Directing and Props Fabrication at Oklahoma City University. Her recent roles include An Enemy of the People (Billing) with OCU School of Theatre, A Raisin in the Sun (Beneatha) with Theatre Arlington, and Macbeth (Witch) with Oklahoma Shakespeare in the Park.