Brandon J. Murphy is very happy to be returning to the Phib Family for the sixth time. Having previously appeared in these long titled plays The Nosemaker’s Apprentice: Chronicles of a Medieval Plastic Surgeon, The True History of the Tragic Life and Triumphant Death of Julia Pastrana, the Ugliest Woman in the World, The Bible: The Complete Word of God (Abridged) x 2, and Wittenberg. He appeared most recently as Sherlock Holmes in Stage West’s presentation of Sherlock Homes and the Adventure of the Ghost Machine. Six years prior to that at The Dallas Theater Center (A Christmas Carol, Sense & Sensibility), The Undermain Theatre (Really, Three Sisters, Madame Bovary), Trinity Shakespeare Festival (Twelfth Night, Romeo and Juliet), Shakespeare Dallas (Much Ado, Twelfth Night). Regionally: South Coast Rep (Cyrano de Bergerac), Piper Theater (The Book of Liz), and Collaboration Town (Townville, The Play About My Dad). BFA from Boston University. MFA from SMU.

Jakie Cabe (he/him/his) An actor/director/professor in the DFW Metroplex for 33 years Jakie was last seen at Amphibian in Sparkfest 2023’s Feeding the Cat, Incorrectly, Several Times Over by Shyama Nithiananda, Time Stands Still, Fiction, and the staged reading of Rajiv Joseph’s All This Intimacy. Most recently Jakie was seen as Oscar Levant in Good Night Oscar at WaterTower Theatre, The Play that Goes Wrong at Stage West / WaterTower, The Seagull at Theatre Three, Marjorie Prime at Stage West, Tiny Beautiful Things at Circle Theatre, Noises Off! and Black Comedy at Theatre Arlington and Dry Powder at Second Thought. Over the (gulp!) decades in DFW he has worked with the Dallas Theater Center, WaterTower Theatre, Second Thought Theatre, Stage West, Casa Manana, Circle Theatre, Amphibian Stage, Trinity Shakespeare Festival, Theatre Three, Theatre Arlington, Virginia Shakespeare Festival, Swine Palace, and Fort Worth Shakespeare in the Park. Jakie has numerous television, film, commercial and voice over credits including Prison Break and Dragonball Z and is represented by the Kim Dawson Agency. He holds an M.F.A. in Acting from Louisiana State University, a B.A. in Theatre and Dance from Appalachian State University and is an Associate Professor of Drama at Tarrant County College-Northeast.

Brandon Wilhelm is excited to be back at Amphibian Stage in this production after being seen in Gutenberg! The Musical! He has performed with many other theatre companies in the DFW area including: Lyric Stage, Casa Mañana, Jubilee Theatre, Theatre Arlington, Garland Summer Musicals, Undermain Theatre, Amphibian Stage Productions, Bishop Arts Theatre Center, Uptown Players, Dallas Children’s Theater, and Theatre Three. Brandon works as an actuary by day (#anactingactuary) and is also a trained Man on Fire Stuntman having done over 100 fire stunts. ”Thank you to David for including me. Love to Kaci and The Twelves.” Ubi caritas et amor, Deus ibi est www.BrandonWilhelm.com

Scott Eddins Jr. is a Dallas based commercial and theatrical artist, who is thrilled to be making his debut at Amphibian Stage. Receiving his B.A in Acting from the University of North Texas in 2025, Scott has been working all across the metroplex. From Ft.Worth to Richardson, and Denton to Dallas, Scott is grateful to call DFW his home, and wants to thank all the local artists for welcoming him with open arms. Previous Theatre: Theatre Arlington, Firehouse Theatre, Core Theatre, and UNT.

David A. Miller has directed numerous productions and readings for Amphibian Stage, including Below the Belt, Wittenberg, The Nosemaker’s Apprentice: Chronicles of a Medieval Plastic Surgeon, and multiple stagings of Gutenberg! The Musical! As a New York-based director and theatre educator, David has worked with Prospect Theater Company, Brooklyn Arts Exchange, id Theater, Vital Theatre Company, Roundabout Theatre Company, and The Artful Conspirators (Artistic Director). An active professional new play development practitioner, David regularly serves as a director for Seven Devils New Play Foundry, directs new work for the Idiots at Play in NYC, and helms Plays in Bloom, a new play development program at Bloomsburg University. David is Professor of Theatre at Bloomsburg University in Bloomsburg, PA, where he teaches acting, directing, playwriting, and new play development, as well as directs for the BU Players. His BU Players directing includes the first productions of The Astronots by Mora V. Harris and Anti-Hero: Revenge of the Swift*es by Derick Edgren Otero. His next BU Players production, performing in spring 2027, is Ubu Roar by Brenda Withers (playwright of Amphibian’s Cyrano and The Quixotic Days and Errant Nights of the Knight Errant Don Quixote), adapted from Alfred Jarry. MFA in Directing from Mason Gross School of the Arts at Rutgers University. Drama League Directing Alum. mrdavidamiller.com

David Lanza has been sound designing in DFW for some time now, is excited to still be sound designing, and looks forward to sound designing more in the future. He also loves the Phibs always and forever. Pro-tip: eat half of your cookie now, and save the other half for a late night snack after the show. Follow David Lanza Audio on Facebook or if you want to know what he was up to 10 years ago, go to www.DavidLanzaAudio.com. He thinks he has an Instagram, but isn’t entirely sure how to use it. Or look up the LiveJournal he had in high school. Love to Maggie, Peter, and the Oxford comma.

Hope Cox (Costume Designer) is excited to be making her Amphibian Stage debut! Hope is a freelance designer whose work can be seen all across DFW stages. Some of her favorite costuming credits include Chicken and Biscuits (Theatre Arlington), The Color Purple(Jubilee Theatre), Primary Trust (Stage West/ Dallas Theater Center), and The Elaborate Entrance of Chad Deity (Circle Theatre). She is a three-time recipient of the Irma P. Hall Award for Best Costume Design. Hope feels so blessed to have the opportunity to work with such a talented cast and crew. You can find information on Hope’s past and upcoming productions at www.hopecox.com

Brian Clinnin is a native Chicagoan with a past mix of employment experiences including home builder, carpenter, children’s furniture creator, designer, draftsman, muralist, and painter. Since 2008 he’s been a Fort Worth-based painter & professor of theatre design & technology at Texas Christian University. Prior to this, he worked at Chicago Scenic Studios, creating scenery for exhibits, theatre, television, and museums. More recently, he has taught portraiture at Cobalt Studios in New York and led study abroad classes to the Czech Republic, Ireland, and to the Czech Republic and Berlin in the summer of 2027. Brian greatly enjoys traveling with his family and encountering different cultures and historical items first-hand with sketching equipment in hand at the ready. He is a graduate of The University of Kansas, from which he holds a BFA in Illustration and an MFA in Scenography. Recent sketches can be viewed at Instagram: @bjclinnin & theatre work on his website: www.clinnin.com

Tristan Decker is the Professor of Professional Practice in Lighting Design at TCU. Some of his professional credits include Dallas Theater Center (A Macbeth), Undermain Theatre (Uncle Bob, Saint Nicholas, Homework), Second Thought (Hunter Gatherers), Our Endeavors Theater Co. (The Last One-Nighter on the Death Trail, Dainty Shapes and Hairy Apes), Trinity Shakespeare Festival (Twelfth Night, Much Ado About Nothing, As You Like It, The Merry Wives of Windsor), Echo Theater Company (End Days), Contemporary Theater of Dallas (The Cemetery Club), Theatre 3 (God of Carnage, The Minotaur, The Imaginary Invalid, Metamorphoses), River City Rep (Doubt, The Glass Menagerie, Art), Shakespeare Dallas (Romeo and Juliet, Twelfth Night, Love’s Labour’s Lost), Oklahoma City Rep (Heisenberg, August: Osage County, My Fair Lady), Circle Theatre (I’m Proud of You, Kodachrome, The Last Wide Open), and Stage West (the Sherlock Holmes trilogy, Ada and the Engine, Lifespan of a Fact, and Everyman.) He is a winner of multiple DFW Theater Critic Forum Awards, the Live Theatre League Award for Design and Technical Achievement, and has been nominated for several Leon Rabin and Column Awards.

Nathan Autrey holds a B.F.A. in Acting from the University of North Texas and an M.F.A. in Directing from the Actors Studio Drama School at Pace University. He is excited to have the opportunity to work with Amphibian Stage. His recent Directing/Fight/Intimacy credits include: The Diary of Anne Frank (McKinney Rep Theatre); Legally Blonde (Junior Players); The Curse of the Puerto Ricans (Bishop Arts Theater); Fiddler on the Roof, Donner Party, American Idiot, Seven Guitars (UNT); Twelfth Night, Hamlet, A Midsummer Night’s Dream, The Tempest (Shakespeare Dallas); The Producers, Something Rotten, The Wedding Singer (Stolen Shakespeare Guild); The Great Gatsby, A Christmas Carol, Sweeney Todd, Little Shop of Horrors, Boeing, Boeing, Almost, Maine, Christmas Story (Breckenridge Backstage Theatre); Does This Woman Have a Name, Ivy Walls (3-Legged Dog); Shining City (The Irish Rep); Through the Cracks (HERE Arts). Nathan currently serves as a member of the acting faculty at UNT, Managing Artistic Director for Inkspark Theatre Company, and is a proud member of the Stage Directors and Choreographers Union & a member of the Society for American Fight Directors. www.nathanautrey.com

Kaitlin Hatton is a DFW based stage manager and props designer and is excited to be working with Amphibian Stage again! Recent stage management for Amphibian Stage includes Bull in a China Shop, Rift of White Lies, Rooted, The Handless King, Baba, Spaceman, The Hollow, Egress, Hans & Sophie, She-Wolf, Gutenberg! The Musical!, Babette’s Feast, Lonely Planet, and Artist Descending A Staircase. Kaitlin has previously stage managed or designed for Stage West, Second Thought Theatre, Undermain Theatre, Fort Worth Opera, WaterTower Theatre, and Circle Theatre. Kaitlin holds a BFA in Theatre – Design and Technology from Texas Wesleyan University and teaches Stage Management there. She is a member of Actors’ Equity Association and received the 2019 Live Theatre League Bill Garber Young Artist Award.